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The Real Printer's Devil


A young couple are delighted to find an inexpensive apartment in Central Park West. Little do they know that their new home is already occupied by an invisible guest.



Air Dates

  • First Run - July 17, 1974
  • Repeat - January 4, 1976





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78 Responses to Episode 0119

WOW! Great site! I listened to this episode and it's one of the better ones. I like the twist at the end, even though you can see it coming from a mile away. Still lots of fun! Until next time, pleasant dreams?


WOW! Great site! I listened to this episode about a week ago (working my way through all of them), and it's one of the better ones. I like the twist at the end, even though you can see it coming from a mile away. Still lots of fun! Until next time, pleasant dreams?


MARK TWAIN SERIES: CBS Radio Mystery Theater produced a total of eleven adaptations from Mark Twain's works for the show; nine were written by Sam Dann with Ian Martin writing only two. [0119] The Real Printer's Devil [0408] Tom Sawyer, Detective [0409] Is He Living or Is He Dead? [0410] The Belated Russian Passport [0411] A Connecticut Yankee in King Arthur's Court [0412] The Man that Corrupted Hadleyburg [0413] The Stolen White Elephant [0414] The Mysterious Stranger [0937] The Dead House [0984] A Curious Experience [1002] The Goddess Caper** The show always tried to kick off each new year of their Anniversary (in early January) with a weeklong series written by the same author, and so Sam Dann wrote episodes 408 through 414 to launch the start of their third season. **1002 was based on “The Legend of the Capitoline Venus”

Mark Main

Maybe I'm too critical as a Christian but the concept of someone being damned for not being superstitious enough doesn't make much sense to me. This is possibly my least favorite of the first 119 stories so far.


This was a weird one. Not sure where Roger got that interpretation . . . So many of these CBSRMT's have cats in them but this one stands out for me in that it uses a different cat sound effect for Smokey than the sounds in the other cat episodes. What a tease with that closet, eh? LOL. The ending fell a bit flat for me, but hey I was entertained.


I like the description in the plot. Himan Brown lived in an apartment in the same location all his life.


The lowdown: A young married couple (wife is 5 months pregnant) are looking for an affordable apartment. They find an add for an apartment on the 13th floor of a building in the area they want to live in. The apartment is very affordable, and way nicer than they expected. The landlord is an old man who has an extrememly diabolical mind. But is this really an apartment? How were they to know that the deceptively nice old man was really the epitomy of evil? And what about the add for it in the paper?...Was that just an illusion? Well, I can't spoil it so that's all I'm going to say about the story. This episode had its moments, but it wasn't quite as scary as I expected it to be. I think it could be scarier, if they'd use scary music more often than just a few short moments in the play.

Romy Jones

A couple looking for a bargain on an apartment seem to find the place of their dreams. When they arrive to look at the apartment it appears they are the only ones who saw the ad in the paper. The location and the rent are perfect, even if the landlord is a little weird (he keeps a locked closet full of bizzare occult items in the apartment). Unfortunately, anything that looks too good to be true always is. This is another frightening episode. If you want a real scare, listen to this one in the dark...alone. Genre: Horror

R. R. Pondexter

A young couple think they've stumbled onto a bargain in a cheap, Central Park West apartment. Apartment 13 is haunted. Thrilling episode despite the somewhat hokey beginning. Recommended.

Maricar Lobregat

Actually, I think the Devil is getting lazy with his deals. I would think "...but I get your soul" ought to have appeared somewhere in the lease. Daniel Webster could have won this case easy.


A couple respond quickly to an ad in the paper for an apartment that seems too good to be true. They are certain there will be crowds of people wanting it because of the prime location and inexpensive rent. When they go to see it, the English gentleman that answers the door is quite taken with them and the fact that they are expecting a baby only serves to delight him more. He offers them the finely appointed apartment immediately. The couple is overjoyed and move in at once in disbelief over their good fortune. But where were the crowds of other prospective renters? And why is it that the ad only appeared in their copy of the newspaper?


The ad only appears in the paper of the victims that the devil wants, so there wouldn't be a lot of people wanting to rent the apartment. I agree with some of the commentators here that he couldn't get their souls that easily. Neither one of them sold their soul to sign a lease, so it doesn't make sense that he could catch their immortal souls. The script should have included a few short lines in act one where Joel says, "You know, I'd sell my soul to get a good deal on an apartment!" His wife says, "Yes, so would I!" Then the ad appears magically in their paper, but they don't connect the dots. THAT would have made sense because usually in devil lore, even if one casually says they'd sell their soul, they have unwittingly made a deal. At the end, he could have reminded them of their casual comment that sealed the deal.


A brief synopis: A couple looking for a bargain on an apartment seem to find the place of their dreams. When they arrive to look at the apartment it appears they are the only ones who saw the ad in the paper. The location and the rent are perfect, even if the landlord is a little weird (he keeps a locked closet full of bizzare occult items in the apartment). Unfortunately, anything that looks too good to be true always is. This is a frightening episode. If you want a real scare, listen to this one in the dark...alone.

Lyndon B.

Wow. This program freaked me out. I'll be honest in that I simply wouldn't have been able to handle this one as a kid and it's probably the creepiest program I've heard to date. First, I have to admit that I find cats to be one of the scariest things on the planet. I had a bad experience as a kid so I find them to be unpredictable and dangerous. The cat in this program sent shivers up my spine and it exploited almost every fear I have. Second, (plot spoiler coming) the play was crafted with three principle characters and one seemingly ancillary character, the aunt, whom I thought would be our last minute saviour. Instead, our protagonists actually lost their battle with the devil (the dramatic music during this scene was fitting of the drama that unfolded)! Whoa - what a shocker!!! One point of interest I noted: Our author, Ian Martin, chose to use the opening segment of the program as a "working" lead-in to this drama. In general, the opening segment is drawn from the body of the program so we know it will be repeated somewhere in the play. However, this program's opening segment was truly a unique part of the play.


It's funny...did they ever mention anything about printing in the play? (I had a printer back in the 90s who had an assistant I joked in calling "his printer's devil". He told me how the term originated, and I thought it was because the young kids who helped the printers way back in the early days of the profession would get black ink all over themselves, and since the color black is associated with satanic things...) I agree...I would have been very shaken by this one as a child. I thought one of the most compelling and powerful scenes in the play is when the woman opens the closet door. We've got a hint as to what's behind it, but the music bed underneath (again, way to go, RMT folks) plus her shaken voice as she delivers a stream of adjectives without ever saying what they describe. Priceless. I like Ian Martin's acting and his plays.


First off, I just love the fact that the opening monologue by EG Marshall was part of the story. Usually, his comments are disconnected from the show, so to hear this format really caught my attention. It was enough to make me stop nailing the shingles on my roof and wear a skewed face! Talk about a fun, chilling journey. I kind of had that "feeling" of knowing what was going to happen, but I admit, I was a bit surprised that there was no last-minute heroics to save this couple. And what a way to go... an elevator shaft! This tale led me into the thoughts of Rosemary's Baby and even a bit of the Amityville Horror. All the signs were there for the couple to be aware of. Even a person who puts no stock in superstition would have to draw a red flag on the circumstances in this situation. Too true to be good? Nice! Then there is the cat. The RMT has a way of transmogrifying cats into demonic devices. Enough so, that beyond my natural dislike for cats (due to lifelong allergies of them), I now have a new respect for them... in fact, I pretty much steer clear of them altogether! Though this show was fairly predictable, it's traditional ghost story quality never waivered and held me to the end. Our ghost was charming and a totally convincing devil, indeed. The title was cute, as the etymology of a "printer's devil" comes from when a printer's apprentice would become black with ink - suggesting, of course, witchcraft or black magic. The title was also a title used in an episode of the Twilight Zone, called Printer's Devil, in which Burgess Meredith plays the Devil. Very appropriate! I gave the show a solid 4.5 rating. The fairly predictable nature of the tale kept it from being higher, but the production quality, acting, and script were of expected standard, if not above. Finally, one question that must be asked: What the heck do you think was in that closet, anyway?? :twisted: Great choice! Thanks and best wishes!

John Mina

The devil character kind of tells them what is in the closet when he mentions how he once put horrific things around to scare off a priest, but it turned out the priest loved it. He mentioned torture instruments, among other grizzly things and says this stuff was put away in the closet, etc. So he gives you an idea what's in there.


I liked this one too. I wouldn't have been able to sleep for a month if I'd heard it as a kid--which, actually, I may have. I can't really add anything to what everyone's already said 'cept that I love cats, and dogs (And most other warm blooded animals. No reptiles, thanks.) It kinda bums me out that they always use a cat as a symbol of evil on these shows. How 'bout a hellhound for a change? Or a meeeeaaan parakeet!

Dennis G.

BTW, on second listen, a couple of notes: - Remember "The fall of Gentryville"? Remember how the devil (who is a REALLY self-centered, prideful, hideous creature) kept making sure "Ginny" in that show knew how worldly he was by saying "Don't say 'goodbye'. Say 'au revoir', or 'ciao', or 'auf widersehen'", etc.?) I kept remembering that when Satan was fumbling about trying to make sure the couple knew how worldly he was when saying British terms and then correcting them with American terminology, i.e. "Lift, oh, er, 'elevator'." in this show. The faces of Satan were fascinating in the RMT, and none of them were good. (i.e. the worldly womanizer who could not stand to have his advances denied in "The fall of Gentryville"; Ian Martin's guttural, groaning, cackling, thing who invades a woman in "Speak of the devil"; Norman Rose's schemer who could set a man up to make millions but always had to bum some coins to pay for a cup of coffee in "Transmutations, Inc."; Robert Dryden's mysterious, cellar-dwelling creature in "Crack in the wall"; the fork-tailed thing which left the nostrils of a drunkard to enter those of a man who had suffered a fatal skull injury in "Possessed by the devil"; etc.) - I don't know whether this would be perceived as an insult or a non-insult today, or even if it could be said in a show in this politically correct day and age, but...I'd forgotten about this dialogue between Hecht and Rowland around the 4:27 mark (and my apologies in advance to anyone out there who's offended, because that's not my intent): HECHT: "Here it is...H.S.M. Apollion(sic?). That's our fairy godfather". ROWLAND: "Don't call him that." HECHT: "I don't care how gay he is...the apartment's all I care about." No, I just realized who they're talking about (and remember his collection of torture items in the metaphor intended, or maybe there was!)...I'm almost assured that there's NO WAY this dialogue would make it on a CBS program today.

J. Kydd

I can only imagine it may not have been intended as it seems. The word "gay" used to have another meaning once, long before it became the word that defines the gender preferenced. Of course, seeing the "fairy godfather" might make it suspect, nonetheless. I just can't allow myself to believe that an intellectual writer for the RMT would be so thoughtless and free with a word that was not in the mainstream and rarely used in corporate media, such as CBS. I could be wrong, too!

Jercs Soltes

I would have agreed were it not for the "fairy godfather" context (and remember that Martin's character, before he revealed himself :evil: , was a single, somewhat fey-sounding man). This also was before political correctness really took hold (though maybe it already had in New York City) but in a way maybe it could have been included to make us less sympathetic to Hecht's character (though not Rowland's) and to show him to not be as innocent, or rather, "good", as he first appeared.


I tend to agree with you. When I first listened to the show, I heard the comment and paused... I rewound my iPod a few notches and listened to it again. Sure enough, there it was. I didn't think much of it until now, and of course, it certainly makes sense. I guess I just don't want to believe that an RMT writer would use such a cold device. But as you said, there was no such thing as PC back then. Oh how times have changed!


Now this was a good episode! The only complaint is that the ghosts were pretty light in the storyline. This is one where the good people don't win out in the end. CREEPY! For the supernatural/creepy side of things, this one is great. What more is there to say other than, this one is one of the top episodes!

Noel L.

Not the brightest at navigation, I didn't find a newer Show Of The Week posted, so I thought it would be cool to go to the older ones. I listened to this one over the weekend, the 30th anniversary of its initial broadcast. This was the kind of stuff that made us turn the lights on and check under the bed for monsters. No surprise twists, we know right off the bat that His Satanic Majesty is going to torment this nice young couple; we just don't know if they'll be the lucky ones that get away. Nice little horror tale with chilling sound effects and a wicked, shiver-inspiring ending. I give it a 3.5, though I don't know if my rating fits the ballot, so I voted for Bucahanan and left my chad hanging in between the 3 and 4. Now I'm going to read what you other listeners wrote, and then I will post on "The Chinaman Button," one of my all-time favorite episodes.


Great catch on that "gay" comment. When I heard it I hadn't realized that that it was preceded by "fairy godfather." Very clever, though much more subtle than the phallic images in Walt Disney movie posters. I disagree with the thought a line like that would never be written or pass through censors in today's world... the airwaves are full of ethnic and sexual punch lines. The word "gay" was coming in vogue back then (1974), but it was not as universally understood as it is today. I would venture to say that the vast majority of people 35+ (and "straight') would have missed that line's punch altogether, though I'm sure in NYC it was understood and appreciated. And I don't believe it was written to make us dislike the character, otherwise he'd have been far more mean-spirited and said "fag" or something more derogatory. I think it was more of an inside joke, a reference that only "hip" people would get and the rest would miss, like something in "The Simpsons." I agree that in those days, few who might have been offended by the remark would make a stink about it; on the other hand, it is exactly the kind of pun my gay friends would have been the the first to make. (Have you seen the new guy on Comedy Central? His name slips the memory, but there are few analogies, cliches and innuendos of gay culture left unspoken.) Sort of like the rule that only Richard Pyor, Eddie Murphy or LL Cool J can say the "N" word. It's not necessarily the word, but the intent, and I think Ian was just being clever and hip. Now, the "devices" in the closet? Who knows?


"The Printer's Devil" was a great listen. It is distinct to the other Mystery Theater's in the sense that ended with the demise of the two innocent love birds midway through the 3rd act. It then followed the villain as he began his manipulation on a new couple--the Smithers. Casting for this episode was excellent. Jane was played by Jada Rowland who actually sounded youthful in this episode. It was great, however not perfect. Alas, 4 stars.


Fun drama, and RMT's cat sounds are getting a little better (not NEARLY as annoying as earlier!). And the ending actually surprised me. [Spoiler alert:] Usually the sympathetic characters survive, and are somehow rescued. I expected the aunt to be someone who uncovered the truth and saved them. Nothing of the sort!


Great episode, but on a superficial level, I felt bad for the young couple. Unlike the majority of RMT episodes, the two really didn't have it coming.


Like many of the commenters here, the fact that the couple was hopelessly doomed and damned from the start made this rather flat. Apart from "be careful what you wish for" and "beware anything too good to be true," there's just not much of a takeaway. Good performances and certainly a terrifyingly hopeless concept, though. (And yes, CBSRMT and their obnoxious cat noises. Sigh.)


I liked that the cat sounds weren't too overt in this one as they have been in previous ones. I also didn't like the "damned for your ignorance/innocence" either, but perhaps that's just my bias. I guess I prefer a story in which there is a way out, whether or not the protagonist(s) can make it there. I thought it strange to leave off with HSM renting to another couple (and why always couples?) when it was inferred that he would continue - probably a timing issue and had to be put in. An okay episode but not the best.


"Too good to be true, too true to be good"... the writers were so genius.


A fun listen. Had me wondering what was meant when the devil said some people broke through the doors of other apartments and found nothing but space beyond them. Space as in empty air or space as Interesting reference to "Billy Sunday." I didn't think anyone from this time period would get that reference. Seems this way of getting "souls" would be a huge waste of time considering the time it takes to snare and trap anyone. Joel and Jane's "commute" actually sounded pretty good. Forty-five minutes to get to work using public transportation!? I wish my commute were that short! Referring to a cat's litter box as a "litter pen" (or "litter pan") was odd, as well as Joel's strange terminology. "Rustle the bustle"? Who the heck uses that freakishly outdated term? But then, this was a 70s radio show. Found it odd that Joel or Jane didn't follow up Apollyon's cryptic reference to HSM in his name with the natural question as to what it means. I mean, anyone claiming that the HSM in his name means something different would cause me to instantly pay ask what I means. But they left it hanging without comment. One of their other banter seems really weird. Real people actually talked in such a nauseatingly cloying manner?


'HSM' is short for 'His Satanic Majesty'. The listeners weren't supposed to know that at first, but later it was talked about.


This tale, in my opinion, is a bit ghoulish and dark.... A case of a young couple stumbling upon an ad in the paper leading them toward an apartment rental in the city. What did HS Empolean have in the spare room that caused the couple's blood to run cold? On this night I had to have an extra glass of port to get to sleep!!! My choppers were rattling!!!


The first time I listened to this episode I was terribly upset at how unfair it seemed that Apollyon could win. The second time, I listened for the justification that allowed him to confiscate their souls. Still not finding one, I found this to be a huge gap in the logic of this episode. I don’t know why our culture makes us think that the Devil would follow a legal contract but that’s what I was looking for. Otherwise, wouldn’t he just take everybody because he could? This idea that the Devil didn’t follow the “rules” made this episode less terrifying the second time because I felt that God would be far more merciful and rescind the deal.


Jane and Joel Trent answer an ad in the paper for an inexpensive apartment that they decide will be just perfect for them and their expected child. Not until after they sign the lease and move in do they realize there is something devilishly eerie about the apartment on the 13th floor and its previous tenant, and especially about the cat with supernatural powers that comes with the apartment. They wonder if their apartment is too good to be true or whether it’s too true to be good.


A very very creepy episode! You won't sleep after you hear the ending!


A sad ending for two innocent young people.


Great episode!

Tom Mcgrattan

Ian Martin was great in this.


I don't quite hate this episode, but only because it is listenable up to the awful ending, which ruins the whole story, imo. Not only does it have an unhappy ending, which the main characters didn't deserve, but I hate stories where a cat turns out to be evil, or turns into a demon. The whole thing was really stupid. Someone mentioned Mark Twain above. I hope this story wasn't an adaptation of his writing. He was a cat lover, and he was also a skilled writer, so I would have expected much better from him. At least the cat sound effects were better than those horrible human attempts to "meow" like a cat! I think they were using a real cat sound effect by this time, but they overused it, imo. It really wasn't necessary to hear the cat so often. Also you could tell it was the same recording over and over, so it gets annoying!


They never did say what was in the closet, which is also annoying, lol! I picture torture instruments and a severed head, lol! :D


I rate this episode ★★★★☆ for GOOD. There are a couple of reasons why this is one “Hell” of a terrific episode. FIRST: Ian Martin’s storyline was wickedly entertaining and the final scene was a tad similar to the final scene of #0367-THE SUMMER PEOPLE. Not the exact same ending of their demise, but the same conclusion where it’s out with the old, in with the new. This Fantasy-Mystery would’ve been suitable for THE TWILIGHT ZONE or THE NIGHT GALLERY. Catchy title. Other titles could work such as “Buyer’s Remorse” or “A Damned Deal” or simply “Apartment 13-D.” And the SECOND reason, the Cast: Jada Rowland (as Jane Trent and Violet Smithers), Paul Hecht (as Joel Trent and George Smithers), Ian Martin (as H.S.M. Apollyon and Bill Joseph), and Bryna Raeburn (as Aunt Gertrude Conway). Bryna Raeburn was good in her supporting role. Ian Martin’s acting was as spellbinding as his writing for this. Clever idea on his character’s H.S.M. name “His Satanic Majesty.” I was surprised that Paul Hecht said the words “Fairy Godfather” and “Gay” between the 04:22-04:25 mark. Didn’t know radio shows were allowed to say those words in the 1970’s. And Jada Rowland’s my favorite and I enjoyed her performance in this. As much as I enjoyed this mystery tale, there are 2 reasons why I didn’t rate this 5 stars for EXCELLENT. FIRST: The Music. They had alarming tunes to wake radio listeners up, but no frightening tracks for this “devilish” story. They needed the horror music tracks from #0263-TILL DEATH DO US JOIN and #1245-THE JUDGE’S HOUSE and every CBSRMT fan would’ve had goosebumps. The sound effects of busy traffic noise, door buzzer, footsteps, elevators gate, tea cups clinking, cab horn honk, newspaper pages, doorbell ring, keys, Cat sounds, gun shot, door creaking, door knob, chains rattling, telephone, and explosion poofs were supportive, by the way. And the SECOND reason, the Host’s Prologue stating that this is a Ghost Story, but it isn’t quite correct. Many ghost stories are about dead spirits haunting locations, cautionary signs/messages to the living, the change of the weather, material objects that move on their own, petrifying evidence of a dark past, etc. But this particular episode involves of a person from the Bible verse of Revelation 9:11. In ACT-1, the protagonists think their opportunity is a promise of Heaven, but the antagonist thinks opposite. In ACT-2, the minor character is a pragmatist and we learn what Apollyon is a synonym for. In ACT-3, definition of Tragedy, but also finish the Climax off with a quote by English poet Elizabeth Barrett Browning: “The devil’s most devilish when respectable.” In his Epilogue, finish the Resolution off with the Latin phrase: “Caveat emptor” (“Let the buyer beware”). He made good contributions in his narrations, all except that 1 error in his Prologue. All in all, it’s still a fascinating episode and everyone should check it out. Until next time…pleasant dreams. =0)


This was an entertaining tale even though it stretched the devil gets your soul, because no deal was made and the devil can't just take your soul, unless you are evil or trade it. Even then if your saved you can't be unsaved. But overall it was a good story but sad because the couple died. E.G. Marshall had some good comments as always and the sound effects were good. I do wish they would leave in the commercials and news.


Be afraid, be very afraid! This one is truly frightening if you're one that is prone to nightmares this is a story that you really don't want to listen to alone in the dark.


This one is disturbing, yet it’s one of my favorites. I don’t think that I’m giving away the ending, since most, if not all of us have listened to this one many times. The fact that the very pregnant protagonist is actually killed doesn’t happen often. I recall one other episode where this occurred, in Speak of the Devil.


The Real Printer's Devil scares the crap out of me to this day! Even the poor unborn child didn't survive!


I loved watching Care 54 Where Are You! On Nick @ Nite in the 80s. He was quoted as saying: "Voice work is the kindest thing that can happen to an old actor." (Though wasn't he a judge in "My cousin Vinny", long after the last RMT episode - think it was Mr. Gwynne's final role before he passed.)


Her thoughtful, often psychological themes can be profoundly moving for me.(I recognize that she is not everyone’s “cup of tea”. I have heard other listeners complain that it is not the standard fare of radio mystery theater. So be it..) “The Train Stops” is an exemplar. It explores the difficulty of a single father, a physician, raising a daughter who’s mother died in childbirth. It weaves into the story an empathetic station master, and the 5:16 train. (It doesn’t hurt that I have a deep nostalgia for when the USA had decent passenger service.) It is a poignant, if frustrating love story of the daughter. I often imagine that Elspeth Eric, one of my favorite authors of radio dramas, is often revealing some of her inner personal thoughts and struggles. My heart is still struggling with the themes presented.


I agree.. Her episodes remind me of some of the best Twilight Zones, very intelligent and thought provoking..


With appearances in over 70 films and television programs, Felicia Farr became well known as a staple of westerns, including the movies, Jubal, the Last Wagon and 3:10 to Yuma, and the television shows, Wagon Train and Bonanza. Incidentally, she was married to the well known actor Jack Lemmon from 1962 until his death in 2001.


Lon Clark appeared in two Broadway productions and a small handful of films and television programs but it was radio that constituted the majority of his acting career. He appeared on dozens of different radio programs over a 30 year period included Lights Out and the Mysterious Traveler but he is best remembered for his portrayal of Nick Carter, Master Detective on the Mutual Network from 1943 through 1955.


Len Cariou has appeared in 19 Broadway productions and is best remembered for his performances in Sweeney Todd. He has appeared in over 100 films and television shows and is currently seen in Blue Bloods, in which he has appeared in over 200 episodes.


Just about to turn the age of 65. Seems like just yesterday that I was in my 20's and started my collection of the series on cassettes from our local radio station. It was new at the time. I listened to the show for hours. I then uploaded the whole series onto my laptop and now they are on my phone and tablet for portability. I especially listen to them in the evening. I can't get over how the series stands up to the test of time. I can listen to each show repeatedly. I also enjoy old radio shows that my parents used to listen to


This show, more than any other, had a lot of shows about the occult and ESP. But, remembering the 70s, those were big themes. Those shows feel dated to me, but I still enjoy them all


Joe Silver was best known for his deep, rich baritone voice, which was highly sought after for narration, voice over and radio work. He had a 40+ year career on radio, stage and screen with regular performances in numerous Broadway productions and appearances in over 80 films and television shows, including his work on the daytime soap operas, The Edge of Night and Ryan's Hope.


James McCallion had a 40+ year career as an actor in radio. He had a number of appearances on Broadway and had over 100 appearances in film and television. In radio, he appeared in dozens of radio shows including the Cavalcade of America, the Mysterious Traveler, Broadway is My Beat and Yours Truly Johnny Dollar. His television appearances include Alfred Hitchcock presents, the Twilight Zone, the Outer Limits, the Invaders and Night Gallery. His film appearances include PT 109, Coogan's Bluff and the Alfred Hitchcock classic, North by Northwest.


Tonight’s episode was “Ninety Lives” starring Fred Gwynne. He plays a short order cook in a greasy Spoon diner and ironically, his character’s name is...Muldoon. I didn’t notice any character in it named Tooty.


I loved watching Care 54 Where Are You! On Nick @ Nite in the 80s


I think Fred Gwynne was in 82 episodes. He was quoted as saying: "Voice work is the kindest thing that can happen to an old actor." (Though wasn't he a judge in "My cousin Vinny", long after the last RMT episode - think it was Mr. Gwynne's final role before he passed.)


Richard Mulligan had a 40+ year acting career, appearing in a number of Broadway productions and over 100 appearances in film and television. He is best remembered for his work in the TV sitcoms, Soap and Empty Nest. He also did voice acting work in a number of animated films and TV shows including Hey Arnold! and the Angry Beavers. His awards include 2 Emmys and a Golden Globe.


I always liked him. I had no idea he was in some episodes!


One funny dude. I so loved him on SOAP when he would snap his fingers and wave his arms and pretend like he was invisible. My mom loved him too. She damn near peed her pants every time he did that.


Todd Davis had a 30+ year acting career and is best remembered for his work on the daytime soap operas, One Life to Live and General Hospital.


Mary Orr wrote a number of published stories and plays, including the short story, The Wisdom of Eve which was the basis for the Academy Award winning film All About Eve. She acted in a dozen Broadway productions and produced plays with her husband, director-playwright Reginald Denham. She is remembered for her television appearances in Lights Out, Suspense and Alfred Hitchcock Presents.


I rate this episode ★★★★☆ for GOOD. Another strange, yet fascinating tale by Ian Martin. In 1972, he wrote episode #0022-TIME AND AGAIN that involved a clock that needed blood. In this story, it’s a plant that needs blood. This was entertaining, but it felt like it was cut short because it all had to be wrapped up in a 1-hour episode. It would’ve been nice if there was a 4th Act so we get to know more about the vampire plant or hear the women in this story do their narrations on how they felt about their situations. This story would be great for a low-budget horror movie. The title is an eye-catcher. Another way to title this would be “Blood Red Blossoms” or “Night Of The Blood Seeker.” In our Host’s Prologue, E.G. Marshall begins with the classic expression of the Worm that turned. Meaning, this is a story about a meek character that gets pushed too far and eventually retaliates. In ACT-1, meet our main character Hubbart “Hubby” Quint: A Mama’s Boy. In ACT-2, his mother is out of the picture and he is free to be with the woman he loves, but he’s puzzled if his girlfriend’s mysterious plant was involved. Also, what do we know about his lover and was this part of her plan? In ACT-3, E.G. Marshall’s train of thought on plants that are named differently. In the end, where everything goes “up in smoke,” our Host knows that we think this story’s unbelievable. In his Epilogue, a satisfying Resolution, followed by the Latin phrase: “De mortise nil nice bonum” (Of the dead, say nothing but good). The sound effects of body tuckered in bed, typewriter, phone ringing, lamp switch, piano music in the background, ferry whistle, slow ballroom music, doorbell, coffee pouring, car engine, cups clinking, footsteps, tires screech, keys, doors, and massive explosion were supportive. Great selection of dramatic tunes, but too much of it being played in the final Act. More importantly, our cast: Robert Dryden (as Hubbart Quint), Joan Shay (as Birdie Quint and Ms. Bradley), Teri Keane (as Dolores Masterson), and Ian Martin (as Dr. Ezekiel Harwich and Mr. Bell). These 4 worked tremendously. I adored Teri Keane’s performance because she sounded kind-hearted and then sly to those that her character loved, whether human or plant. And Robert Dryden was excellent in his leading role. Anyone that’s interested in vampire tales, even if the vampires have no speaking roles, you should check this episode out and of course #0022-TIME AND AGAIN. Other vampire stories I recommend are #0301-NIGHTMARE’S NEST and #0081-SUNSET TO SUNRISE. Until next time…pleasant dreams. =0)


LOVED this progam, and yes, it did remind me of another Ian Martin joint, the excellent "Time and again", with John Beal in the role Robert Dryden does here. What made this episode was the music bed (if you can call it that) that I remember being used only in one other RMT episode: "The long, long sleep". I don't know how to rightfully describe this piece (used often when the plant is "doing its thing") except it seems like ghoulish little cries and echoes over a semi-percussive sound bed that evokes unseen tendrils reaching out and touching whatever they can find. When we had our gift store in Georgia (early 2000s) one work day in spring (after having discovered that episodes of the RMT were downloadable on platforms like Napster) I downloaded this show to one of our work computers and was playing it around 8:00 AM on a very sunny, pleasant morning. As of yet I was the only one in the office. When that music bed started my skin started crawling uncontrollably. I'll never forget that feeling.


I rate this episode ★★★★☆ for GOOD. Nancy Moore’s story was predictable, but still enjoyable. Predictable because the hand of a killer, transplanted to another person, was going to create havoc again. Enjoyable because it’s interesting to see where this story is going to go and figure out how to solve the problem of a cursed hand. The episode’s title is suitable, but a better way to title this would be “The Hand Of Murder” or a funny pun like, “You Are Under A Wrist.” In our Host’s Prologue, E.G. Marshall focused on tales beyond logic, especially the supernatural. In ACT-1, the story is set at a University Hospital where a madman has killed 5 blonde nurses and one of our main characters tells the story. After suspicions occur, our Host does question if the antagonist still exists in a hand? In ACT-2, the killer’s hate spreads through the doctor’s body and the victim of this story must take drastic actions. In ACT-3, questioning more on the supernatural. More importantly, in the end, it all worked out. In his Epilogue, E.G. Marshall’s optimism on microsurgery techniques that could lead to future miracles. Our Host did a wonderful job in his narrations. The sound effects of doors, siren alarm whistle, footsteps, key lock, gun shots, bandage snips, car engine running, tires screech, the slap on the face, boat horn, and delicate music playing in the background at the dining room scene were helpful in this story. As for the music, good choice selection of dramatic tunes and suspenseful tunes, however, there was too much of it in the 3rd Act. The romantic track in the final scene was a nice touch, though. And finally, our cast: Russell Horton (as Dr. Daniel Crane and Jed Grant), Diana Kirkwood (as Nurse Laurel Blair and Zarina), and Mandel Kramer (as Dr. Stewart Courtney and the Waiter). Each of them got to play 2 roles in this and they worked perfectly together. I would say that this is a decent episode to check out. Also, if anyone is looking for more mystery episodes involving Hands, I recommend Ep. #0080-THE HAND (based on the story by Guy de Maupassant). Until next time…pleasant dreams. =0)


I rate this episode ★★★★★ for EXCELLENT. What’s great about this story, written by Ralph Goodman, is that it keeps you guessing if it’s supernatural or not. Even the ending was a big surprise. This kind of mystery would’ve been perfect if it was shown on THE NIGHT GALLERY. The episode’s title fits for this story. Another way to title this would be “Entering The 3rd Floor” or “The Locket.” In our Host’s Prologue, E.G. Marshall’s topic focuses on psychiatrists and a brief history of it in 1793. In ACT-1, meet our main character at the main location: Briarwood Sanitarium. As the story progresses with a mysterious voice, our Host questions to see if it’s making nightly visits to one particular patient. In ACT-2, an important reference to “The Malleus Maleficarum” (a.k.a. “The Hammer Of Withes”) that described the extermination of witches and demons. After a few turn of events in the story, including the murder of a patient, the doctor is convinced that his patient is not a murderer. In ACT-3, comparing the madness in this story with the madness from “Alice In Wonderland” by Lewis Carroll. After the burning finale, our Host explained what happened from the Police Report. Truly, a surprising clue that no one saw coming. In his Epilogue, E.G. Marshall finishes it off by questioning on Sanity and a quote by Carl Menger on his definition of “patient.” Excellent narrations from beginning to end. Sound effects of the thunderstorm, door latch, tableware clinking, tape recorder, door knocks, file folders, bell toll, footsteps, low howling wind, newspaper clippings, phone ringing, key lock, locket, car engine running, tires screech, police and fire sirens, and massive fire were helpful for this story. A lot of dramatic tunes were played in this tale and they worked well. Now onto our cast: Paul Hecht (as Doctor Paul Thurman), Marian Seldes (as Nurse Margaret Palmer), Joan Lovejoy (as Agatha Milford), and Ian Martin (as Detective Charles Connelly). Both of the actors were terrific. And both of the actresses were awesome! Joan Lovejoy, alone, was amazing in her role for playing a lonely patient and playing the mysterious voice that keeps that patient company. It’s one of Joan Lovejoy’s best performances on CBSRMT. Tune in to this if you enjoy mystery stories inside Sanitariums. SPECIAL BONUS: This episode has commercials/announcements of CBS Radio News, Greyhound services, Barbara Hale on the music from “The Bicentennial Album,” music from KIXI radio in Seattle, Budweiser, Wet Ones Hand Wipes, Mother Teresa on the Catholic Relief Services, Coffee Rich Creamer, US Dept. of Labor, Pat Summerall on True Value Hardware, the Mental Health Association, the 1976 Buick Century, the Leukemia Association, Aperitif Wine, Tunaverse, Howard Da Silva as Ben Franklin on Eyes, and Insurance Companies in phone books. Until next time…pleasant dreams.


I rate this episode ★★★★☆ for GOOD. Sam Dann wrote an intriguing mystery involving revenge and superstition. However, it felt cliché: a main character ignores the rules from the natives and her comrades, so she ends up being cursed to eat raw meat. Cliché to be some kind of She-wolf in horror films. It would be awesome if the Beast Goddess came to life and came across the woman for wearing one of her possessions and have a terrific battle in the final act-Mortal Vs. Goddess. The title is catchy, but another way to title this tale would be “The Agitated Curse” or “Raw Meat.” In our Host’s Prologue, E.G. Marshall mentions the names of certain women that created catastrophic things, which leads to our main character: Milly. In ACT-1, question to see if there’s a difference between man and beast and does the beast still exist within us? In ACT-2, after many conflicts in the jungle, our Host points out that knowledge abdicates in the face of the unknown terror of the jungle. In ACT-3, comparing this situation with a line from William Shakespeare’s HAMLET (from Act 1, Scene 5). After the happy ending, our Host reminds us that it’s best to have another course of action in reserve. And was Milly cured by superstition or medicine? In his Epilogue, E.G. Marshall states that the sign of the beast can happen at anytime and it appears much too often in today’s world. That maybe true, however, he forgot to mention a Resolution in this story. The happy ending was the Climax, but nothing to follow afterwards. Did Milly leave the jungle right away? Did her husband and her uncle continue to look for more artifacts? Did the natives continue to worship the Beast Goddess? A mystery we may never solve. Anyway, the cast in this was decent: Lois Smith (as Milly), Paul McGrath (as Larry and Dr. Bert Jorgenson), Tom Keene (as Kevin), and Dan Ocko (as Aymara). The actors played their parts well. Our leading actress was good, but I think she over did it when she hollered out her lines of raw meat. And if Lois Smith’s character was craving for meat, perhaps she could’ve growled and snarled to make it sound like she was becoming a beast. But Lois Smith did get better overtime in her roles in #0041-BLIZZARD OF TERROR and #0201-THE MASQUE OF THE RED DEATH. But my favorite parts in this episode, were the sound effects and the music. Sounds of the helicopter hovering, jungle noises, footsteps on the ground, gun shots, silverware clinking, tribal music, archaeological tools scraping, sizzling meat, and jungle leaves ruffling were super helpful and supportive. And the music had great suspenseful tracks that fit for a jungle story. Tune in to this one if you enjoy mysteries on jungles and curses. SPECIAL BONUS: This episode has commercials/announcements of CBS Radio News, Sine-Off tablets, the Heroin Addiction Hotline, letters to KIXI AM/FM in Seattle, Budweiser, Kellogg’s Special K cereal, the American Heart Association, and the song of “I’ll Be There.” Until next time…pleasant dreams.


I rate this episode ★★★★★ for EXCELLENT. This is, hands down, one the greatest Revenge stories in the CBSRMT series! Percy Granger’s Western tale had pure drama, clever tactics of retaliation, and it keeps you guessing on who the 3rd and Final person is that wronged our main character. The discovery is an eye-opener, but very compelling to understand why. The episode’s 1-word title is satisfactory. Other ways to title this would be “Hardness Of The Heart” or “The 3rd Victim” or even “The Oriental Principle.” In our Host’s Prologue, E.G. Marshall’s topic is about secrets to be kept when it comes to money. In ACT-1, the story takes place in Denver in the 1880’s and we get to meet the 1st antagonist. Once he’s gone at the end of the Act, E.G. Marshall mentions a part in the Bible where it’s compared to this event. In ACT-2, questioning on crime and punishment as we meet our 2nd antagonist. More importantly, save the best for last on who is the 3rd person. In ACT-3, note that the the best laid plans of men can go astray. After the realization of who the 3rd person was, our Host reminds us that life’s most precious possessions aren't materialism. It was love, trust, and salvation. In his Epilogue, E.G. Marshall leaves with a pondering thought on why a man acts against his better judgment? The answer is a mystery. Great detailed narrations, such as these, shouldn’t be forgotten. Sound effects of background noise at the Saloon, doors, doorbell dings, footsteps, howling wind, dog barking, birds cawing, playing cards, patrons murmuring, paper receipt, animal howling, paper money, gun shots, drinking glasses, and body thuds were very supportive in this. As for the music, great list of dramatic tracks. Not too suspenseful, not too old western-like, just perfect tunes that were fitting for a tale on revenge. Now for the grand finale, our outstanding cast: Gordon Heath (as Ben Thompson), Robert Dryden (as Jade Wanamaker and Herbert Beall), Leon Janney (as The Sheriff and Maxie), Bryna Raeburn (as Cabin Mary and Esther Wanamaker), and Gilbert Mack (as Clem McFarland). Leon Janney, Bryan Raeburn, and Gilbert Mack were great in their supporting roles. But Robert Dryden, playing 2 villains, was fantastic. As for Gordon Heath, he stole the show! His performance in this was dynamic as his performance in #0921-THE GREY SLAPPER. I highly recommend this episode to all that enjoy tales about revenge, especially when it takes place in the Old West. SPECIAL NOTE: If you listen to the next episode’s preview, it’s a scene from #0676-BOOMERANG. Until next time…pleasant dreams.


I rate this episode ★★★★☆ for GOOD. The variety of characters that James Agate, Jr. created were unique and splendid. The story, however, was slow and it got more interesting in the second half. The plot itself was eye-catching, felt like it was going to be a “Hell hath no fury like a woman scorned” tale. And when the leading lady in this story got her revenge on her husband, there’s no shocking twist at the end. Nor a mind-blowing surprise where someone ends up dead. It would make more sense if the character, Henrietta, narrated the story on how she got her revenge, since the title is catchy. Another way to title this episode would be “Plot, Plan, And Punish.” In our Host’s Prologue, E.G. Marshall’s topic is about Revenge. In ACT-1, we’ll meet 2 of our main characters; one successful lady and the other is a man who's a born loser. In ACT-2, after noticing the dilemmas of love and money, the question remains: how far Henrietta will put up with her husband? In ACT-3, E.G. Marshall quotes a Shakespeare line from Silvius from AS YOU LIKE IT about stupidity within love. In the end, our antagonist gets caught. In his Epilogue, E.G. Marshall finishes it off with 2 quotes from William Congreve that relate to the heroine and the villain. His narrations were good. All that was missing was the Resolution. We know that the Climax is that our main antagonist will be punished, but what happens to our leading lady? Does she get an annulment? Does she get her money back? Do the other characters get married? Is there a promotion for them? Does our leading lady find someone knew to marry? So many questions and we may never know what the outcome will be for the remaining characters. Sound effects of the roulette table, casino players murmuring, doors, bouquet of flowers, telephones, typewriter, seagulls, ice cubes, fog horn, crystal glasses clinking and breaking, the slap (at the 30-minute 30-second mark), footsteps, and the background noise at the airport, were great. What’s even greater, was the variety of music. A variety of tunes that were sentimental, chilling, delicate, suspenseful, and even adding tracks from THE TWILIGHT ZONE series were terrific. And finally, our cast: Patricia Elliott (as Henrietta Tufts), Joyce Gordon (as Jill Kramer), Robert Kaliban (as Fritz and Tom Hayward), and Mandel Kramer (as Sergio Varese and Carl Eaton). SPECIAL NOTE: Himan Brown was the voice of the Cruise Ship P.A. system and the voice of Captain Connolly. Both Mandel Kramer and Robert Kaliban did wonderful on their roles. As for Patricia Elliott and Joyce Gordon, these 2 were amazing for playing characters that were classy, sharp-witted, and proficient in their line of work. A decent Drama-Mystery. ANOTHER SPECIAL NOTE: If you listen to the next episode’s preview, it’s a scene from #1245-THE JUDGE’S HOUSE. Until next time…pleasant dreams.


I rate this episode ★★★★☆ for GOOD. James Agate, Jr. wrote intriguing adaptions for CBSRMT, such as #0958-SHADOWS FROM THE GRAVE from Wilkie Collins and #1107-THE MYSTERIOUS HANGING OF SQUIRE HUGGINS from Nathaniel Hawthorne. But this story, from T.L. Neuger, is a mystery of its own. Hardly any information on who T.L. Neuger was or when this story was originally published. All that we know, is that “Romany” is the Gypsy language. As for the crime solver in this tale, Detective Dwight Mason was OK, but not as momentous like Professor Augustus S.F.X. Van Dusen, Hercule Poirot, or Sherlock Holmes. A suitable whodunnit story, but another way to title this would be “The Hunch” or even “Enmity Of The Gypsy.” In our Host’s Prologue, E.G. Marshall’s topic is about Gypsies and how they live by their own code. In ACT-1, enmity comes into play and people can solve crimes without being a professional detective. In ACT-2, quoting a Roman Dramatist on how a fortune can make men do evil acts. Later, questions come about on who’s the real culprit. In ACT-3, learn more about Gypsies on their ethical code. After the case has been solved, E.G. Marshall quotes the Spanish writer Miguel de Cervantes on Gypsies. In his Epilogue, it ends on the topic of Revenge. From Gypsies, to Enmity, to quotations, to revenge, our Host’s narrations were very informative. Sound effects of boat horns, howling wind, doors, doorbells, traffic city noise, car engines, telephones, elevator lift humming, body thud, beeps at the Hospital, background noise at the Airport, footsteps, pushing the skylight, and gypsy dance music were accommodating. Dramatic music tunes played in all 3 Acts were supportive to the story’s tone. Now for our wonderful cast: Court Benson (as Detective Dwight Mason), Earl Hammond (as William Harrow, Luis Ortega, and Jose Silva/Raoul), and Bryna Raeburn (as Madame Magda and Beatrice Harrow). SPECIAL NOTE: Himan Brown played the role of Dr. Grace. Bryna Reburn, playing the talkative Gypsy, was splendid. Earl Hammond pulled it off with his multiple roles. And Court Benson played a decent detective. Great cast, terrific sounds, informative narrations, but the story needed a good punch; a bigger drive to captivate the CBSRMT listeners. Other than that, it’s a good Drama-Mystery. Until next time…pleasant dreams.


I rate this episode ★★★★☆ for GOOD. G. Frederick Lewis’ adaptation of Guy de Maupassant’s 1883 short story of “A Piece Of String” was simple to follow. A Drama-Mystery where the main character was accused of a crime that he did not commit and died in the end with a damaged heart. However, this episode took place in the 20th Century. And Guy de Maupassant’s original story took place in the 19th Century of Goderville, France. But the ironic twist was in the story, though. Episode’s title is good, but another way to title it would be “Too Honest To Be A Criminal” or “The Art Of Retaliation.” In our Host’s Prologue, E.G. Marshall starts right off with mentioning Guy De Maupassant’s name. In ACT-1, story begins with 2 characters: Peter and Harry at San Francisco’s Embarcadero Pier 24. After listening to his back story of a missing possession, it’s a battle between guiltiness and innocence. Inner Voice VS. Outer Truth. In ACT-2, our Host quotes a line from Iago in William Shakespeare’s OTHELLO about robbing someone of their good name. Later, evidence against our main character was overwhelming and disobedience in court could send him behind bars. In ACT-3, pointing out that Anger & Bitterness make an ugly brew. More than that, a quote from Shylock from THE MERCHANT OF VENICE about villainy. In the end, the irony is that our main character died before he got to live. In his Epilogue, E.G. Marshall concludes on how revenge was indeed sweet just for Harry the fisherman. These narrations he gave us were informative and compelling to the story. Sound effects of buoys, boat horns, water waves, howling wind, background noise at the Health Club, footsteps, passkeys, lockers, doors, bell tolls, dialing of rotary phone, murmurs in the court room, gavel bang, store bell ring, and newspaper pages were significant and critical to this story. A variety of dramatic music tracks were played as they helped during the storyline. And finally, our cast: Mandel Kramer (as Peter), Lloyd Battista (as Bill Roberts and Oscar), Robert Dryden (as Harry and Leo Mantell), and William Griffis (as Charlie Clairborne and Milton’s Nephew). SPECIAL NOTE: Himan Brown played the role of Milton: The Pawn Broker. The actors were tremendous on their parts, particularly William Griffis for playing a villain that everyone would love to hate and Mandel Kramer who is terrific for playing characters that act clever and anxious throughout the episodes. I do recommend this episode for everyone to check out. And check out the original story by Guy de Maupassant. SPECIAL BONUS: The episode features a commercial of Golden State Warrior Rick Barry talking about Cancer Chemotherapy. Until next time…pleasant dreams.


I rate this episode ★★★★☆ for GOOD. “Amusing” would be the word to describe Sam Dann’s mystery story featuring Samuel Clemens a.k.a. Mark Twain. This is the kind of story that would be suitable for a TWILIGHT ZONE episode with funny elements of the writer’s block process. As much as I wanted to rate this 5 stars for EXCELLENT, the story was kind of far-fetched. A writer being obsessed with his character ’s life is one thing. But seeing his character come to reality and being obsessed with his creator on how he wants to live, is another. Also, the title doesn’t make sense since the characters in this story actually wrote it with just a typewriter, instead of handwritten on paper. The title should be called “Be Good To Everyone You Write.” In our Host’s Prologue, E.G. Marshall begins with a philosophical point that life is a journey. In ACT-1, understand what writers talk about. Once our main character meets the fictional character that refuses to die, our Host quotes a line from HAMLET (Act 1, Scene 5) that matches this dilemma. In ACT-2, quoting Joyce Kilmer. As the story progresses with a different approach, further developments will come shortly. In ACT-3, the difference between an architect and a writer when they create their art on paper. After the finale, our Host talks about Limbo and how many are in it. In his Epilogue, E.G. Marshall questions if the writer’s characters rise up to overwhelm them. But also, understand that some writers have difficulties when controlling their fancies. The narrations that he gave us were philosophical and unforgettable. The sound effects of the sheet of paper, typewriter, phone ringing, chair leg scraping, background music at the saloon, doors, crickets, footsteps, Ragtime music, dancers murmuring, short applause, gun shots, body thud, and character crowd murmuring were all splendid. The dramatic music was a nice touch. Not suspenseful, nor frightening. But a variety of good tunes that fit the characters’ emotions. Now onto our cast: Norman Rose (as Samuel Clemens a.k.a. Mark Twain), Robert Dryden (as Dudley Everett and Harry Barnes), Evie Juster (as Martha Loomis and Martha’s Mother), and Kristoffer Tabori (as Tom Ditson and The Prosecutor). SPECIAL NOTE: Himan Brown plays the role of Martha’s Uncle. Our cast was great, particularly Norman Rose and Robert Dryden. My favorite part of Norman Rose’s performance was in the 3rd Act when he amplifies the word, “Reprieve” with a different tone. It was eccentric, yet funny. This episode is enjoyable and worth listening to. Until next time…pleasant dreams.


I rate this episode ★★★☆☆ for AVERAGE. I’ll review what I enjoyed the most first and then finish off what I disliked. First, I enjoyed the cast: Kevin McCarthy (as William Gillette/Sherlock Holmes), Jada Rowland (as Pamela Watson), Russell Horton (as Jim Watson), and Carol Teitel (as the Tour Guide and Mrs. Hudson). Carol Teitel was terrific in her 2 roles. Jada Rowland is my favorite actress in the CBSRMT series and having her partner up with Russell Horton again, like many episodes before, was delightful. And Kevin McCarthy was entertaining, just like his performance as Sherlock Holmes in previous episodes before this one. Next up, music and sound effects. Dozens of dramatic tunes were used, but no suspenseful or chilling tracks were used to match the feel of being trapped in a castle. Sound effects of car engine running, tires screech, footsteps, tourists murmuring, sliding doors, cat meowing, howling wind, gong, lamp breaking, doors, cane hitting clothing, gun shot, tapping of the phone, drawing the curtains, carriage rolling up, pouring of drinking glasses, and doorbell were very supportive in this tale. Next is our Host and his narrations. E.G. Marshall’s Prologue focused on castles and our story takes place at a castle in New England. In ACT-1, meet Jim & Pamela Watson where one of them is a Sherlock Holmes buff. In ACT-2, knowing so little about William Gillette’s career and we get a sense that some actors like him can go too far to create an illusion of reality. In ACT-3, after the strange turn of events, our Host’s only explanation to the Climax is to mention a quote from a playwright about the 6th sense of the Imagination. In his Epilogue, he recommends CBSRMT listeners to take a tour of the Gillette Castle itself in Connecticut. Good recommendation, but no Resolution explained on what happened to our characters afterwards. And so, it comes down to the final segment: the Script. Elizabeth Pennell has written decent drama mysteries and even did the adaptations of #0605-JANE EYRE and #0643-WUTHERING HEIGHTS. But this story was Fair. So-so, I should say. I was expecting it to be a haunting mystery about a haunted castle with the Sherlock Holmes references. But instead, this story’s turn of events created massive questions to think about. Like, how did the Jim & Pamela Watson hear about this castle? Was Mrs. Hudson going through nightmare problems? Was William Gillette really dead? Was he putting on a show for his guest just so he can play Sherlock Holmes for fun? Did these 2 tourists actually travel back in time? Was the castle actually haunted? Was it really a nightmare? Was anything resolved after Jim & Pamela Watson escaped from the castle? There are so many fill-in-the-blanks in this, the episode’s title should be changed and call it “A Bad Case Of The Jitters” or “Elementary, My Dear Guests.” Tune in to this, if you like. There are better castle stories in the CBSRMT vault. SPECIAL BONUS: This episode has commercials of AMEX travelers checks, Bob Armstrong’s Diamond Center, “The Ritual” novel, CBS-News, First Federal of Gary, Radio Advertising Bureau, Jewel’s Discount Grocery Store, CBS-Sports News in Chicago, CBS-News on Election 1980, Susan Anton for Serta Sleeper Mattresses, and Smokey Bear Program. Until next time…pleasant dreams.


I rate this episode ★★★★★ for EXCELLENT. I'd think that Robert Barr would have been pleased of the adaptation of this by James Agate, Jr. It has intricate clues, it has peculiar motives, and it has a surprising twist in the end. And above all, it has a great detective in this: Eugène Valmont. Robert Barr’s character ranks up with Jacques Futrelle’s Professor Augustus S.F.X. Van Dusen and Sir Arthur Conan Doyle’s Sherlock Holmes. Another way to title this story would be “A Case Of Interest” or even “The Parisian Detective.” In our Host’s Prologue, E.G. Marshall starts it off by comparing one of the characters as a “Scrooge.” In ACT-1, the bloodline of the James Dudley Hills on their fortunes. As the plot thickens, we realize that not all clues were divulged in the first Act alone. In ACT-2, questions pop up. More importantly, they see the evidence clearly, but not recognize it. In ACT-3, quoting Sir Francis Bacon about suspicions and our main detective plays a waiting game. In the end, after discovering where the loot was hiding all along and discovering who else was related to the family, we learned a private post-mortem joke that money would bring out the worst in those with the least character. In his Epilogue, E.G. Marshall finishes it off with the comparison of the Midas myth - great wealth does not equal great happiness. Outstanding narrations. Sound effects of bells, footsteps, background noise at the police station, phone receiving line, seals, patrons murmuring, paper note, newspapers, doors, dog wincing, phone ringing, paper bills, intercom buzzer, emergency sirens, pulling off wallpaper were terrific. As for the music, great selection of dramatic tunes that moved the story forward. And let us not forget our amazing cast: Norman Rose (as Eugène Valmont), Russell Horton (as James Dudley Hill III and Inspector Graves), and Robert Dryden (as James Dudley Hill, Jr. and Elijah Browning). These 3 worked well together. Norman Rose, performing with a French accent, was very entertaining. This is one mystery story that CBSRMT fans should not pass up on. Until next time…pleasant dreams.


I rate this episode ★★★★☆ for GOOD. I admire Murray Burnett’s work, particularly his adaptions of the Sherlock Holmes stories. But the story originally from Edith Wharton was better. The novelist’s ghost story had a Narrator without a name. In Murray Burnett’s version, we got a fashion designer that’s interested in the castle while the other male characters act persuasive and vulnerable. I was more interested in the mystery of the dogs and hope that they would play a bigger part to this tale. Other ways to title this would be “Dogs Of Kerfol” or “Strange Vendetta.” In our Host’s Prologue, that I had to find on other OTR websites, E.G. Marshall’s topic is about castles with ghosts. In ACT-1, meet our main character who’s interested in buying a castle. After digging into the story within the story, our Host points out the lifestyle differences of adultery from 2 different time periods. Our main character must’ve seen dogs or ghost dogs. After too many conflicts about pets getting killed in this story, E.G. Marshall mentions ASPCA (American Society for the Prevention of Cruelty to Animals). Was E.G. Marshall trying to advertise this non-profit organization into the episode? In ACT-3, he understands the reaction that our main character felt when reading the history book. When the story was over, E.G. Marshall stated that when he talked about this story to a psychiatrist and what was his take on this? Was E.G. Marshall talking about his personal life on this? Or was this something that Murray Burnett wrote for him? What’s even weirder, is the Epilogue. E.G. Marshall tells the world’s shortest horror story ever. It’s a classic, but it’s irrelevant to this particular story. E.G. Marshall wasn’t off topic with his narrations, but he could’ve saved the ASPCA mentioning, the psychiatrist moment, and the shortest horror story for other episodes. The music was OK, but the tunes for the chilling moments kept on repeating in every Act. Sound effects of birds chirping, bell ring, iron gate squeaking, footsteps, car tires screech, jewelry case, door knocking, howling wind, violin music, and unbolting the door were good. And of course, the sounds of dogs barking were helpful. And finally, our cast: Mercedes McCambridge (as Paula Randall and Anne de Cornault), William Redfield (as Herve de Lanrivain and Andre de Lanrivain), Ian Martin (as Baron Yves de Cornault), and Guy Sorel (as the Judge and the Gypsy). I like this choice of cast members. In fact, this was my favorite part of the episode. All of the actors were great. But it was Mercedes McCambridge, our leading lady, who was superb. Her performance in this reminds me of her performance in Ep. #0318-CARMILLA where she played 2 roles: The Narrator and the Woman who dealt with death. Fans of her would enjoy this episode. Check this one out, but also check out Edith Wharton’s original ghost story. Until next time…pleasant dreams.


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