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The Secret Life of Bobby Deland


A couple suffering from the death of their only child take in a young waif to fill the void in their lives. At first the orphan helps alleviate the woman's migraines however, he later repays their kindness by robbing them blind.



Air Dates

  • First Run - July 3, 1974
  • Repeat - September 14, 1974





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66 Responses to Episode 0113

The description of this story isn't accurate. A couple things missing isn't exactly "robbing blind." It is an interesting story though.


This is a love story, and the stolen items were \'valentines\' to his Mother. He loved her with a perfect love. I can verify that the love for a parent has nothing to do with \'character references\' or logic. In my counseling work, I learned that the more remote the parent\'s love is (or its absence), the more the child loves.


Heartbreaking-intensely moving-I wanted to cry.

Michel David

I was touched by this episode. Regardless the relationship between the mother & child, the child showed an innocence & devotion towards the memory & connection of the mother from his past.


Another snoozer from the pen of dreary, melancholy, melodramatic Elspeth Eric. Like a lot of her stories they have an interesting premise but ultimately fizzle.


Well, my biggest criticism is that Bobby's psychic healing ability is completely irrelevant to the story. This story gave me the creeps, but my wife saw the ending coming a mile away because she works with dysfunctional families as part of her job. Agreed that the boy was NOT robbing the family blind; the items stolen were small in number and had no particular monetary value. Emotional thriller; irrelevant supernatural elements.


A troubled orphan boy has a penchant for stealing items from his host families. He's an unusual youngster with equally unusual talents. Unfortunately, the unusual gifts are not completely developed by the author but the plot takes an interesting twist during its conclusion.


A strange, young orphan comes home with a couple who lost their child in an accident. He is able to cure the woman's headaches and then steals from them. Turns out all he wants is his mother.

Erik Lensherr D.

A kindly, childless couple are in contact with an orphanage, trying to adopt a child. The kind, loving man who is the husband seems to settle on a 10-year-old boy named Bobby Delan. Mrs. Appleton, the woman in charge of the orphanage says Bobby is a good child, but he's been in a type of solitary confinement to his room for stealing particular belts, frying pans and shoes. (Those particular objects have a very poignant meaning at story's end.) Bobby had stayed at the home of another family earlier in preparation for a possible adoption, but they opted not to take him because he also stole things on occasion, and tried to run away. The kind man talks with Bobby, and becomes convinced that he's got a powerful ability for self-hypnosis strong enough to put himself in a trance, and moreso, is able to obtain incredible power when in such a state where his conscious and subconscious mind meet. The husband agrees to take Bobby to his home. Bobby has described it, though he's not quite correct in how his new family's home looks. Also, when he gets to the home he's aware that his new "mother" is not feeling well even though his new "father" believes otherwise. They find the woman has a migraine headache, which Bobby promptly convinces her to "give" him. Three weeks later, Bobby has started to steal objects...a belt (that he says is too big for him), a frying pan, a high-heeled shoe...then he runs away on a night under a full moon... (NOTE: This is the only CBSRMT episode I've heard to date where there is a reference to a porno film actresss. Mercifully, no child pornography is involved.)

Bubba Greer

A couple who lost their child look to adopt a child and select one particular boy from the local orphanage. The boy they select has a history of running away and certain eccentricities that have kept him from finding a good home. After the adoption, the boy tells stories of his mother, fantastic tales of her jobs, station in life, etc. He appears to be able to see things with his mind’s eye.


The completist may wish to listen, as this episode isn't bad CBSRMT, but if you're trying to hit the highlights you should probably move on. Supernatural events form the backdrop to a heartwarmer about broken families.


An interesting little story with an interesting premise. Very, very sad. Not one of my favorites, but well done. Elspeth Eric seems often to have a special interest in stories about victims of domestic abuse. It comes up in "Star Sapphire" and, I believe, is touched on in a few of her other plays as well. The one thing of special interest for me was the voice actress who played Bobby. Although she wasn't given credit at the end of the show, I recognized her unmistakably as Billie Lou Watt, who did the voice of Astro Boy--my favorite cartoon as a child. (Anime ROCKS!)


I found the premise to be of interest, but I also found the storyline lacking in focus and the dialogue absent of any subtlety. Although the boy is the first Elspeth Eric character that I have developed any empathy for, I was consistently distracted by the actresses voice (IMHO it didn't even remotely sound like a 10 year old boy). There were no real winners or losers in this episode - maybe that's Eric's point - but stories without hope are better written by the Cure. I will give the author credit for tackling a story full of hard issues (child abuse, adoption, etc.), but I thought the episode fell far short of the usual script quality. I gave this episode a "2" - I dunno, maybe I'm being a bit too hard.


I'm inclined to agree with your analysis. I found most of act 3 to be laughable. The amateur psycho-analysis is the one thing in a script that will instantly turn me off. I also don't like the kid being played by an adult woman. Just doesn't come across as believable. The story was not without its charm. The main character was easy to sympathize with. I gave it a 2.

D. Lisbon

I agree with pretty much all you said, although I disagree about there being no hope in the story. There is a very important shred of hope in the fact that this boy did not lose his mind under the abuse, but developed a coping mechanism---his mental abilities evolved to a higher plane. In fact, his healing power suggests something distinctly spiritual, even messianic. Also he is adopted by parents who actually care enough to patiently discover what causes his behavior, something the orphanage never bothered to do. So, despite everything, I think there still is hope. It actually lies in the WH Auden quote spoken by the doctor in the third act: The center that I cannot find is known to my unconscious mind I have no reason to despair because I am already there

G. Warfield

Hmmm... I liked it. Well, I've never been accused of being normal anyway.


Me neither! Besides, what's normal anyway? Actually, after I pondered that poem quotation a bit last night, I began to appreciate the underlying themes of the story a lot more. It's really a beautiful quote. And, just for the record, I had no problem with the actress doing Bobby's voice--didn't find it distracting at all. I don't think a child actor could have successfully put across the complex emotions required for this role.

Jeremy Bushong

i only gave this one a 3. i couldn't relate to the nonsense the father was constantly babbling on about. every time he opened his mouth i had to laugh. but on to other things. there wasn't much suspense for me. i guessed where bobby's mom was. i wonder , did bobby heal his mom in the end? the only suspense for me was how far they would go with bobby's powers? was he going to use them for good or ill? i had recently listened to You're Going To Like Rodney and kept waiting for something bad to happen. who played the boy? maybe someone already knows. i'll check in a minute. at first i thought it was the same person who played Rudolf the red-nosed reindeer. i think i like the idea of an adult playing the child's role to get the more experienced actor. i'm comparing this to THE CHILD'S CAT'S PAW. i wish i could unleash my subconsious powers. i would really be something . most people think i go through life mostly unconsious. i never realised how often rmt quotes the BIBLE. i think i've counted three times. twice the quote was taken out of context. in this show the quote was "you shall know the truth and the truth shall set you free." ofcourse the TRUTH is that JESUS paid the price for our sins when HE died for us on the cross. it's interesting to see different philosophies in the shows such as in this one. i just smile quietly to myself. these must have been emerging onto the american scene.

Lady Crystal Palafox

Hmmm... I liked it. Well, I've never been accused of being normal anyway.[quote] Don't sweat it. My first submission was "Out of Sight" which somebody on another board ridiculed as one of the worst episodes ever. It received a lukewarm reception here too. I liked it.

Jason O.

I don\'t consider myself \"normal\" - after all, what \"normal\" person ponders the merits of a radio program that aired almost 30 years ago, and then agonizes for two days over whether the resulting post will measure up to the standards of the website comments? Actually, even though this episode wasn\'t my favorite. I think we see Eric\'s writing in the same vein - I am starting to see a trend in the way I view her scripts. And try as I might, I notice myself hoping it\'s not her when I hear E.G. say \"tonights episode was written especially for the mystery theater by ...........\" Nontheless, I will try to keep an open mind.

Dwarde Malcolm

I have to say that, more and more, I'm beginning to agree about Eric's scripts, if not sharing quite the same vitriolic intensity. She did write, in my humble opinion, a few really brilliant ones (Case in point: Her adaptation of "The Transformation". Awesome. Actually, I even found "...Bobby Deland" engaging--it just wasn't one of my faves.) But as the show progresses through the years her scripts do get worse and worse. I just recently listened to "Adam's Astral Self" and found it really didn't pass the "so what?" test for me. Then, tonight, I tried to listen to "Mind over Matthew" and just couldn't do it. Yuck. I had to turn it off ten minutes in. However, I always try to give old Elspeth a fighting chance, cos ya never know, right? Everyone has their good days and their bad ones.


What did you think of "Star Sapphire"? That may be a show I suggest next year, but it may be one of if not the most difficult RMTs to listen to due to its subject matter. That's probably the strongest Elspeth Eric script I've heard written. Funny thing too, because E.G. in his monologues at show's beginning seemed to get exactly what was happening in the show, but by the time it was finished it almost seemed to go right over his head, which (as witty as he was, whether scripted or not) was a rare occurence indeed. This, like "Sapphire" dealt with orphans, and maybe seemed to share a "nobody wins" (or did they?) ending. It's the only one I've heard on the RMT that talks about porno film actresses.

Antonel Ross

I dunno, I have to say that Star Sapphire left a bad taste in my mouth. The subject matter was a little too disturbing. The fact that Fred Gwynne was such a good actor and had such a lecherous, sexual tone to his voice whenever he hypnotized the girl made it all the more disturbing. I think I find "Bobby Deland" more palatable because, although both shows deal with abused orphans, in "Bobby" it happened in the past, whereas in "Star Sapphire" we're actually listening to it happen in the present. Also, in "Bobby Deland" there is a bit of hope at the end---in "Star Sapphire" the best we get is, perhaps, justice, since Fred Gwynn's character is shot at the end. I didn't really feel I took away a good or helpful message from "Star Sapphire", although I suppose there was some hope and comfort in the fact that the girl was strong enough to resist killing the farmer's wife in the end, and that the two of them were rid of the farmer and could live peacefully together. The rest of it, though, I felt was just basically listening to an exercise in abusive manipulation. Also, it's quite tragic that the girl was forced to kill someone. I can't say I enjoyed this or found it to be very enriching thematically.

Jeff L. Oliver

Very well acted and well written. I have to admit, I was drawn into the story from the beginning expecting the usual type of RMT conclusion but was completely caught off guard the sweet, yet very sad ending.


This was a surprisingly interesting and well-written episode. Maybe one of my favorites so far. I didn't expect much from the synopsis, but it proceeded to get very weird as the story went along. by the way, I think I would have sent the strange kid with a women's voice back to the orphanage after that creepy migraine healing.

Phillip M.

Strange description of the episode about being "robbed blind" when there are only specific objects which are stolen that aren't even that valuable. I found it strange that the man is most interested in one of the stranger kids there, and yet it's at least 3 weeks since the child has been in isolation. When did he originally go there and why did it take so long to make a decision? Also, why didn't he go with his wife when she was feeling better? At the end, does it mean that he was healing his mother as well and would eventually live with her? What would the Baron think (this being the same man who helped his wife star in pornographic movies)? A really strange tale.


This episode was pretty creepy at first, and stayed that way up until the ending. Though it was never explained where the kid got his psychic and healing powers.

Joe Mama

Elspeth Eric wrote a few episodes that I liked very much, but this particular story is a weird psychological drama without too much mystery, (as a lot of her episodes are). Also, at the end of the episode, it's not clear whether Bobby is giving his mother his strange gifts out of love and forgiveness, or perhaps as some sort of revenge, (because his mother had abused him with similar objects). Who could really blame Bobby for not being too fond of an abusive parent? However, in this story, I got the feeling that he may have actually had evil intentions when he presented his mother with these particular reminders of her abuse. I wondered if perhaps his motive was to drive his mother further into insanity by showing her similar objects to the ones she hurt him with. His voice sounded subtly sinister to me and not loving, although maybe that was just my impression. Maybe that was the best part of the story, since I was left wondering what his true motives were and they left it up in the air. They left me wondering what would happen next.


I rate this episode ★★★★☆ for GOOD. This is one of the strangest, yet emotional mysteries I’ve heard on CBSRMT. Was Elspeth Eric aware that one of her characters was named George Carlin and did anyone mention to her that there was an Actor and Comic Legend who went by that name? Also, how did she thought of this story while adding W.H. Auden's poem "The Labyrinth" in the mix (at the 37:09 mark)? In ACT-1, Elspeth Eric’s story has an interesting plot point about the circumstances of adopting the unique child named Bobby Deland. Then in ACT-2, it puts you on the edge of your seat as the adults in the story get closer to what Bobby Deland is searching for. But then in ACT-3, after discovering where Bobby Deland’s mother was or even discovering what she did in the past (SPOILER ALERT at the 34:22 mark), that’s when the story took a major turn and went off course. This has an ending that no fan of CBSRMT would’ve expected; kind of like the odd ending to Ep. #0111-YESTERDAY’S MURDER. I was expecting the story to end with a surprise; like finding out that Bobby Deland’s mother was a ghost that would only appear during the full Moon or maybe she was a figment of his imagination and all that he really wanted was a mother that would the fulfill his emptiness. The title works, but another way to title this mystery tale would be, “A Most Unusual Child” or “The Wesley Sanitarium.” The sound effects of children playing, the cassette tape, footsteps, doors, car engine running, telephone buzzing, truck engine, and birds cawing were very supportive (especially the cassette tape; leaving the fans that Nostalgic feel of remembering the old days when we use to record music/conversations with those kinds of products). And the music was good; bringing excitement at the start, suspenseful tracks in the middle, and close it off with pensive tunes at the finale. In our Host’s Prologue, E.G. Marshall begins by asking what goes through the minds of children and what it was like to be a child. In ACT-1, we learn to explore the inner life of our main character who’s 10 years old. In ACT-2, I think his narrations went off coarse as he discusses about people in general are going places but don’t know where. In ACT-3, not enough strong details as to why the full Moon is involved with our main character. In the end, it is revealed that the story was about a child’s love for a parent that was ill-famed. In his Epilogue, E.G. Marshall went off course again as he discussed the exterior life and the interior life. He was focused at the start, but then narrated about jumbled information from that point on. But the one thing I enjoyed about this episode, was the cast: Michael Tolan (as George Carlin), Marian Seldes (as Mrs. Appleton and the Sanitarium Nurse), Martha Greenhouse (as Anita Carlin and Mrs. Deland), Hetty Galen (as Bobby Deland), and Gilbert Mack (as the Truck Driver and Dr. Wesley). I’d give major props to Michael Tolan and Hetty Galen for they are the ones who stole the show! Michael Tolan played one of his best roles, unforgettable as his performance in Ep. #0200-BERENICE. As for Hetty Galen, bravo to her for playing the role of the 10-year old boy. She pulled it off incredibly! A remarkable performance by her, memorable as her performance in Ep. #0265-BLACK WIDOW. The story and Host were fine, but the music, sound effects, and acting were fascinating. Until next time…pleasant dreams. =0)


Bobby Deland, age 10 and up for adoption, is invited to live with George Carlin and his wife, Anita. Other foster parents have been unable to handle Bobby — he steals little nothings, runs away, and thinks his real mother is a baroness and a movie star. But Carlin is intrigued — even more so when Bobby is able to cure Mrs. Carlin’s migraine headache by giving it to himself.


A very sad, strange tale. A story of a childhood lost but longed for so much by an abandoned child that he develops psychic abilities. Even though he was abused, as is sometimes the case, the abused longs for and takes care of the abuser, craving the love denied them. While Elspeth perhaps was trying to move us to a higher realm of love, this was just sad and a little depressing. Not one of my favs and i don't think even commercials, news or sound effects could help.


Love this one!!! The kid was freaky, and the writing was bizarre!


I had completely forgot about CBSRMT. I loved listening to it with my mom as a kid. I'm going to start listening to all the episodes again. Oh the memories! Probably one of the best radio story time shows ever!


I listened to to this show when I was about 4 or 5 with my great grandfather. The squeaking door scared me (in a good way) every time!! Great times and love listening again as an adult


The items he was stealing and giving to his mother as gifts were the things she would beat him with, which, in his own twisted logic, was how he loved her. He stole a belt, one shoe, and a frying pan, all items that are included in abusive relationships...those are my thoughts. As well, he didn't mind being locked in a closet, which was probably something else that had happened to him by his mother to keep him safe while she worked her trade...

Marty J

I loved watching Care 54 Where Are You! On Nick @ Nite in the 80s. He was quoted as saying: "Voice work is the kindest thing that can happen to an old actor." (Though wasn't he a judge in "My cousin Vinny", long after the last RMT episode - think it was Mr. Gwynne's final role before he passed.)


Her thoughtful, often psychological themes can be profoundly moving for me.(I recognize that she is not everyone’s “cup of tea”. I have heard other listeners complain that it is not the standard fare of radio mystery theater. So be it..) “The Train Stops” is an exemplar. It explores the difficulty of a single father, a physician, raising a daughter who’s mother died in childbirth. It weaves into the story an empathetic station master, and the 5:16 train. (It doesn’t hurt that I have a deep nostalgia for when the USA had decent passenger service.) It is a poignant, if frustrating love story of the daughter. I often imagine that Elspeth Eric, one of my favorite authors of radio dramas, is often revealing some of her inner personal thoughts and struggles. My heart is still struggling with the themes presented.


I agree.. Her episodes remind me of some of the best Twilight Zones, very intelligent and thought provoking..


With appearances in over 70 films and television programs, Felicia Farr became well known as a staple of westerns, including the movies, Jubal, the Last Wagon and 3:10 to Yuma, and the television shows, Wagon Train and Bonanza. Incidentally, she was married to the well known actor Jack Lemmon from 1962 until his death in 2001.


Lon Clark appeared in two Broadway productions and a small handful of films and television programs but it was radio that constituted the majority of his acting career. He appeared on dozens of different radio programs over a 30 year period included Lights Out and the Mysterious Traveler but he is best remembered for his portrayal of Nick Carter, Master Detective on the Mutual Network from 1943 through 1955.


Len Cariou has appeared in 19 Broadway productions and is best remembered for his performances in Sweeney Todd. He has appeared in over 100 films and television shows and is currently seen in Blue Bloods, in which he has appeared in over 200 episodes.


Just about to turn the age of 65. Seems like just yesterday that I was in my 20's and started my collection of the series on cassettes from our local radio station. It was new at the time. I listened to the show for hours. I then uploaded the whole series onto my laptop and now they are on my phone and tablet for portability. I especially listen to them in the evening. I can't get over how the series stands up to the test of time. I can listen to each show repeatedly. I also enjoy old radio shows that my parents used to listen to


This show, more than any other, had a lot of shows about the occult and ESP. But, remembering the 70s, those were big themes. Those shows feel dated to me, but I still enjoy them all


Joe Silver was best known for his deep, rich baritone voice, which was highly sought after for narration, voice over and radio work. He had a 40+ year career on radio, stage and screen with regular performances in numerous Broadway productions and appearances in over 80 films and television shows, including his work on the daytime soap operas, The Edge of Night and Ryan's Hope.


James McCallion had a 40+ year career as an actor in radio. He had a number of appearances on Broadway and had over 100 appearances in film and television. In radio, he appeared in dozens of radio shows including the Cavalcade of America, the Mysterious Traveler, Broadway is My Beat and Yours Truly Johnny Dollar. His television appearances include Alfred Hitchcock presents, the Twilight Zone, the Outer Limits, the Invaders and Night Gallery. His film appearances include PT 109, Coogan's Bluff and the Alfred Hitchcock classic, North by Northwest.


Tonight’s episode was “Ninety Lives” starring Fred Gwynne. He plays a short order cook in a greasy Spoon diner and ironically, his character’s name is...Muldoon. I didn’t notice any character in it named Tooty.


I loved watching Care 54 Where Are You! On Nick @ Nite in the 80s


I think Fred Gwynne was in 82 episodes. He was quoted as saying: "Voice work is the kindest thing that can happen to an old actor." (Though wasn't he a judge in "My cousin Vinny", long after the last RMT episode - think it was Mr. Gwynne's final role before he passed.)


Richard Mulligan had a 40+ year acting career, appearing in a number of Broadway productions and over 100 appearances in film and television. He is best remembered for his work in the TV sitcoms, Soap and Empty Nest. He also did voice acting work in a number of animated films and TV shows including Hey Arnold! and the Angry Beavers. His awards include 2 Emmys and a Golden Globe.


I always liked him. I had no idea he was in some episodes!


One funny dude. I so loved him on SOAP when he would snap his fingers and wave his arms and pretend like he was invisible. My mom loved him too. She damn near peed her pants every time he did that.


Todd Davis had a 30+ year acting career and is best remembered for his work on the daytime soap operas, One Life to Live and General Hospital.


Mary Orr wrote a number of published stories and plays, including the short story, The Wisdom of Eve which was the basis for the Academy Award winning film All About Eve. She acted in a dozen Broadway productions and produced plays with her husband, director-playwright Reginald Denham. She is remembered for her television appearances in Lights Out, Suspense and Alfred Hitchcock Presents.


I rate this episode ★★★★☆ for GOOD. Another strange, yet fascinating tale by Ian Martin. In 1972, he wrote episode #0022-TIME AND AGAIN that involved a clock that needed blood. In this story, it’s a plant that needs blood. This was entertaining, but it felt like it was cut short because it all had to be wrapped up in a 1-hour episode. It would’ve been nice if there was a 4th Act so we get to know more about the vampire plant or hear the women in this story do their narrations on how they felt about their situations. This story would be great for a low-budget horror movie. The title is an eye-catcher. Another way to title this would be “Blood Red Blossoms” or “Night Of The Blood Seeker.” In our Host’s Prologue, E.G. Marshall begins with the classic expression of the Worm that turned. Meaning, this is a story about a meek character that gets pushed too far and eventually retaliates. In ACT-1, meet our main character Hubbart “Hubby” Quint: A Mama’s Boy. In ACT-2, his mother is out of the picture and he is free to be with the woman he loves, but he’s puzzled if his girlfriend’s mysterious plant was involved. Also, what do we know about his lover and was this part of her plan? In ACT-3, E.G. Marshall’s train of thought on plants that are named differently. In the end, where everything goes “up in smoke,” our Host knows that we think this story’s unbelievable. In his Epilogue, a satisfying Resolution, followed by the Latin phrase: “De mortise nil nice bonum” (Of the dead, say nothing but good). The sound effects of body tuckered in bed, typewriter, phone ringing, lamp switch, piano music in the background, ferry whistle, slow ballroom music, doorbell, coffee pouring, car engine, cups clinking, footsteps, tires screech, keys, doors, and massive explosion were supportive. Great selection of dramatic tunes, but too much of it being played in the final Act. More importantly, our cast: Robert Dryden (as Hubbart Quint), Joan Shay (as Birdie Quint and Ms. Bradley), Teri Keane (as Dolores Masterson), and Ian Martin (as Dr. Ezekiel Harwich and Mr. Bell). These 4 worked tremendously. I adored Teri Keane’s performance because she sounded kind-hearted and then sly to those that her character loved, whether human or plant. And Robert Dryden was excellent in his leading role. Anyone that’s interested in vampire tales, even if the vampires have no speaking roles, you should check this episode out and of course #0022-TIME AND AGAIN. Other vampire stories I recommend are #0301-NIGHTMARE’S NEST and #0081-SUNSET TO SUNRISE. Until next time…pleasant dreams. =0)


LOVED this progam, and yes, it did remind me of another Ian Martin joint, the excellent "Time and again", with John Beal in the role Robert Dryden does here. What made this episode was the music bed (if you can call it that) that I remember being used only in one other RMT episode: "The long, long sleep". I don't know how to rightfully describe this piece (used often when the plant is "doing its thing") except it seems like ghoulish little cries and echoes over a semi-percussive sound bed that evokes unseen tendrils reaching out and touching whatever they can find. When we had our gift store in Georgia (early 2000s) one work day in spring (after having discovered that episodes of the RMT were downloadable on platforms like Napster) I downloaded this show to one of our work computers and was playing it around 8:00 AM on a very sunny, pleasant morning. As of yet I was the only one in the office. When that music bed started my skin started crawling uncontrollably. I'll never forget that feeling.


I rate this episode ★★★★☆ for GOOD. Nancy Moore’s story was predictable, but still enjoyable. Predictable because the hand of a killer, transplanted to another person, was going to create havoc again. Enjoyable because it’s interesting to see where this story is going to go and figure out how to solve the problem of a cursed hand. The episode’s title is suitable, but a better way to title this would be “The Hand Of Murder” or a funny pun like, “You Are Under A Wrist.” In our Host’s Prologue, E.G. Marshall focused on tales beyond logic, especially the supernatural. In ACT-1, the story is set at a University Hospital where a madman has killed 5 blonde nurses and one of our main characters tells the story. After suspicions occur, our Host does question if the antagonist still exists in a hand? In ACT-2, the killer’s hate spreads through the doctor’s body and the victim of this story must take drastic actions. In ACT-3, questioning more on the supernatural. More importantly, in the end, it all worked out. In his Epilogue, E.G. Marshall’s optimism on microsurgery techniques that could lead to future miracles. Our Host did a wonderful job in his narrations. The sound effects of doors, siren alarm whistle, footsteps, key lock, gun shots, bandage snips, car engine running, tires screech, the slap on the face, boat horn, and delicate music playing in the background at the dining room scene were helpful in this story. As for the music, good choice selection of dramatic tunes and suspenseful tunes, however, there was too much of it in the 3rd Act. The romantic track in the final scene was a nice touch, though. And finally, our cast: Russell Horton (as Dr. Daniel Crane and Jed Grant), Diana Kirkwood (as Nurse Laurel Blair and Zarina), and Mandel Kramer (as Dr. Stewart Courtney and the Waiter). Each of them got to play 2 roles in this and they worked perfectly together. I would say that this is a decent episode to check out. Also, if anyone is looking for more mystery episodes involving Hands, I recommend Ep. #0080-THE HAND (based on the story by Guy de Maupassant). Until next time…pleasant dreams. =0)


I rate this episode ★★★★★ for EXCELLENT. What’s great about this story, written by Ralph Goodman, is that it keeps you guessing if it’s supernatural or not. Even the ending was a big surprise. This kind of mystery would’ve been perfect if it was shown on THE NIGHT GALLERY. The episode’s title fits for this story. Another way to title this would be “Entering The 3rd Floor” or “The Locket.” In our Host’s Prologue, E.G. Marshall’s topic focuses on psychiatrists and a brief history of it in 1793. In ACT-1, meet our main character at the main location: Briarwood Sanitarium. As the story progresses with a mysterious voice, our Host questions to see if it’s making nightly visits to one particular patient. In ACT-2, an important reference to “The Malleus Maleficarum” (a.k.a. “The Hammer Of Withes”) that described the extermination of witches and demons. After a few turn of events in the story, including the murder of a patient, the doctor is convinced that his patient is not a murderer. In ACT-3, comparing the madness in this story with the madness from “Alice In Wonderland” by Lewis Carroll. After the burning finale, our Host explained what happened from the Police Report. Truly, a surprising clue that no one saw coming. In his Epilogue, E.G. Marshall finishes it off by questioning on Sanity and a quote by Carl Menger on his definition of “patient.” Excellent narrations from beginning to end. Sound effects of the thunderstorm, door latch, tableware clinking, tape recorder, door knocks, file folders, bell toll, footsteps, low howling wind, newspaper clippings, phone ringing, key lock, locket, car engine running, tires screech, police and fire sirens, and massive fire were helpful for this story. A lot of dramatic tunes were played in this tale and they worked well. Now onto our cast: Paul Hecht (as Doctor Paul Thurman), Marian Seldes (as Nurse Margaret Palmer), Joan Lovejoy (as Agatha Milford), and Ian Martin (as Detective Charles Connelly). Both of the actors were terrific. And both of the actresses were awesome! Joan Lovejoy, alone, was amazing in her role for playing a lonely patient and playing the mysterious voice that keeps that patient company. It’s one of Joan Lovejoy’s best performances on CBSRMT. Tune in to this if you enjoy mystery stories inside Sanitariums. SPECIAL BONUS: This episode has commercials/announcements of CBS Radio News, Greyhound services, Barbara Hale on the music from “The Bicentennial Album,” music from KIXI radio in Seattle, Budweiser, Wet Ones Hand Wipes, Mother Teresa on the Catholic Relief Services, Coffee Rich Creamer, US Dept. of Labor, Pat Summerall on True Value Hardware, the Mental Health Association, the 1976 Buick Century, the Leukemia Association, Aperitif Wine, Tunaverse, Howard Da Silva as Ben Franklin on Eyes, and Insurance Companies in phone books. Until next time…pleasant dreams.


I rate this episode ★★★★☆ for GOOD. Sam Dann wrote an intriguing mystery involving revenge and superstition. However, it felt cliché: a main character ignores the rules from the natives and her comrades, so she ends up being cursed to eat raw meat. Cliché to be some kind of She-wolf in horror films. It would be awesome if the Beast Goddess came to life and came across the woman for wearing one of her possessions and have a terrific battle in the final act-Mortal Vs. Goddess. The title is catchy, but another way to title this tale would be “The Agitated Curse” or “Raw Meat.” In our Host’s Prologue, E.G. Marshall mentions the names of certain women that created catastrophic things, which leads to our main character: Milly. In ACT-1, question to see if there’s a difference between man and beast and does the beast still exist within us? In ACT-2, after many conflicts in the jungle, our Host points out that knowledge abdicates in the face of the unknown terror of the jungle. In ACT-3, comparing this situation with a line from William Shakespeare’s HAMLET (from Act 1, Scene 5). After the happy ending, our Host reminds us that it’s best to have another course of action in reserve. And was Milly cured by superstition or medicine? In his Epilogue, E.G. Marshall states that the sign of the beast can happen at anytime and it appears much too often in today’s world. That maybe true, however, he forgot to mention a Resolution in this story. The happy ending was the Climax, but nothing to follow afterwards. Did Milly leave the jungle right away? Did her husband and her uncle continue to look for more artifacts? Did the natives continue to worship the Beast Goddess? A mystery we may never solve. Anyway, the cast in this was decent: Lois Smith (as Milly), Paul McGrath (as Larry and Dr. Bert Jorgenson), Tom Keene (as Kevin), and Dan Ocko (as Aymara). The actors played their parts well. Our leading actress was good, but I think she over did it when she hollered out her lines of raw meat. And if Lois Smith’s character was craving for meat, perhaps she could’ve growled and snarled to make it sound like she was becoming a beast. But Lois Smith did get better overtime in her roles in #0041-BLIZZARD OF TERROR and #0201-THE MASQUE OF THE RED DEATH. But my favorite parts in this episode, were the sound effects and the music. Sounds of the helicopter hovering, jungle noises, footsteps on the ground, gun shots, silverware clinking, tribal music, archaeological tools scraping, sizzling meat, and jungle leaves ruffling were super helpful and supportive. And the music had great suspenseful tracks that fit for a jungle story. Tune in to this one if you enjoy mysteries on jungles and curses. SPECIAL BONUS: This episode has commercials/announcements of CBS Radio News, Sine-Off tablets, the Heroin Addiction Hotline, letters to KIXI AM/FM in Seattle, Budweiser, Kellogg’s Special K cereal, the American Heart Association, and the song of “I’ll Be There.” Until next time…pleasant dreams.


I rate this episode ★★★★★ for EXCELLENT. This is, hands down, one the greatest Revenge stories in the CBSRMT series! Percy Granger’s Western tale had pure drama, clever tactics of retaliation, and it keeps you guessing on who the 3rd and Final person is that wronged our main character. The discovery is an eye-opener, but very compelling to understand why. The episode’s 1-word title is satisfactory. Other ways to title this would be “Hardness Of The Heart” or “The 3rd Victim” or even “The Oriental Principle.” In our Host’s Prologue, E.G. Marshall’s topic is about secrets to be kept when it comes to money. In ACT-1, the story takes place in Denver in the 1880’s and we get to meet the 1st antagonist. Once he’s gone at the end of the Act, E.G. Marshall mentions a part in the Bible where it’s compared to this event. In ACT-2, questioning on crime and punishment as we meet our 2nd antagonist. More importantly, save the best for last on who is the 3rd person. In ACT-3, note that the the best laid plans of men can go astray. After the realization of who the 3rd person was, our Host reminds us that life’s most precious possessions aren't materialism. It was love, trust, and salvation. In his Epilogue, E.G. Marshall leaves with a pondering thought on why a man acts against his better judgment? The answer is a mystery. Great detailed narrations, such as these, shouldn’t be forgotten. Sound effects of background noise at the Saloon, doors, doorbell dings, footsteps, howling wind, dog barking, birds cawing, playing cards, patrons murmuring, paper receipt, animal howling, paper money, gun shots, drinking glasses, and body thuds were very supportive in this. As for the music, great list of dramatic tracks. Not too suspenseful, not too old western-like, just perfect tunes that were fitting for a tale on revenge. Now for the grand finale, our outstanding cast: Gordon Heath (as Ben Thompson), Robert Dryden (as Jade Wanamaker and Herbert Beall), Leon Janney (as The Sheriff and Maxie), Bryna Raeburn (as Cabin Mary and Esther Wanamaker), and Gilbert Mack (as Clem McFarland). Leon Janney, Bryan Raeburn, and Gilbert Mack were great in their supporting roles. But Robert Dryden, playing 2 villains, was fantastic. As for Gordon Heath, he stole the show! His performance in this was dynamic as his performance in #0921-THE GREY SLAPPER. I highly recommend this episode to all that enjoy tales about revenge, especially when it takes place in the Old West. SPECIAL NOTE: If you listen to the next episode’s preview, it’s a scene from #0676-BOOMERANG. Until next time…pleasant dreams.


I rate this episode ★★★★☆ for GOOD. The variety of characters that James Agate, Jr. created were unique and splendid. The story, however, was slow and it got more interesting in the second half. The plot itself was eye-catching, felt like it was going to be a “Hell hath no fury like a woman scorned” tale. And when the leading lady in this story got her revenge on her husband, there’s no shocking twist at the end. Nor a mind-blowing surprise where someone ends up dead. It would make more sense if the character, Henrietta, narrated the story on how she got her revenge, since the title is catchy. Another way to title this episode would be “Plot, Plan, And Punish.” In our Host’s Prologue, E.G. Marshall’s topic is about Revenge. In ACT-1, we’ll meet 2 of our main characters; one successful lady and the other is a man who's a born loser. In ACT-2, after noticing the dilemmas of love and money, the question remains: how far Henrietta will put up with her husband? In ACT-3, E.G. Marshall quotes a Shakespeare line from Silvius from AS YOU LIKE IT about stupidity within love. In the end, our antagonist gets caught. In his Epilogue, E.G. Marshall finishes it off with 2 quotes from William Congreve that relate to the heroine and the villain. His narrations were good. All that was missing was the Resolution. We know that the Climax is that our main antagonist will be punished, but what happens to our leading lady? Does she get an annulment? Does she get her money back? Do the other characters get married? Is there a promotion for them? Does our leading lady find someone knew to marry? So many questions and we may never know what the outcome will be for the remaining characters. Sound effects of the roulette table, casino players murmuring, doors, bouquet of flowers, telephones, typewriter, seagulls, ice cubes, fog horn, crystal glasses clinking and breaking, the slap (at the 30-minute 30-second mark), footsteps, and the background noise at the airport, were great. What’s even greater, was the variety of music. A variety of tunes that were sentimental, chilling, delicate, suspenseful, and even adding tracks from THE TWILIGHT ZONE series were terrific. And finally, our cast: Patricia Elliott (as Henrietta Tufts), Joyce Gordon (as Jill Kramer), Robert Kaliban (as Fritz and Tom Hayward), and Mandel Kramer (as Sergio Varese and Carl Eaton). SPECIAL NOTE: Himan Brown was the voice of the Cruise Ship P.A. system and the voice of Captain Connolly. Both Mandel Kramer and Robert Kaliban did wonderful on their roles. As for Patricia Elliott and Joyce Gordon, these 2 were amazing for playing characters that were classy, sharp-witted, and proficient in their line of work. A decent Drama-Mystery. ANOTHER SPECIAL NOTE: If you listen to the next episode’s preview, it’s a scene from #1245-THE JUDGE’S HOUSE. Until next time…pleasant dreams.


I rate this episode ★★★★☆ for GOOD. James Agate, Jr. wrote intriguing adaptions for CBSRMT, such as #0958-SHADOWS FROM THE GRAVE from Wilkie Collins and #1107-THE MYSTERIOUS HANGING OF SQUIRE HUGGINS from Nathaniel Hawthorne. But this story, from T.L. Neuger, is a mystery of its own. Hardly any information on who T.L. Neuger was or when this story was originally published. All that we know, is that “Romany” is the Gypsy language. As for the crime solver in this tale, Detective Dwight Mason was OK, but not as momentous like Professor Augustus S.F.X. Van Dusen, Hercule Poirot, or Sherlock Holmes. A suitable whodunnit story, but another way to title this would be “The Hunch” or even “Enmity Of The Gypsy.” In our Host’s Prologue, E.G. Marshall’s topic is about Gypsies and how they live by their own code. In ACT-1, enmity comes into play and people can solve crimes without being a professional detective. In ACT-2, quoting a Roman Dramatist on how a fortune can make men do evil acts. Later, questions come about on who’s the real culprit. In ACT-3, learn more about Gypsies on their ethical code. After the case has been solved, E.G. Marshall quotes the Spanish writer Miguel de Cervantes on Gypsies. In his Epilogue, it ends on the topic of Revenge. From Gypsies, to Enmity, to quotations, to revenge, our Host’s narrations were very informative. Sound effects of boat horns, howling wind, doors, doorbells, traffic city noise, car engines, telephones, elevator lift humming, body thud, beeps at the Hospital, background noise at the Airport, footsteps, pushing the skylight, and gypsy dance music were accommodating. Dramatic music tunes played in all 3 Acts were supportive to the story’s tone. Now for our wonderful cast: Court Benson (as Detective Dwight Mason), Earl Hammond (as William Harrow, Luis Ortega, and Jose Silva/Raoul), and Bryna Raeburn (as Madame Magda and Beatrice Harrow). SPECIAL NOTE: Himan Brown played the role of Dr. Grace. Bryna Reburn, playing the talkative Gypsy, was splendid. Earl Hammond pulled it off with his multiple roles. And Court Benson played a decent detective. Great cast, terrific sounds, informative narrations, but the story needed a good punch; a bigger drive to captivate the CBSRMT listeners. Other than that, it’s a good Drama-Mystery. Until next time…pleasant dreams.


I rate this episode ★★★★☆ for GOOD. G. Frederick Lewis’ adaptation of Guy de Maupassant’s 1883 short story of “A Piece Of String” was simple to follow. A Drama-Mystery where the main character was accused of a crime that he did not commit and died in the end with a damaged heart. However, this episode took place in the 20th Century. And Guy de Maupassant’s original story took place in the 19th Century of Goderville, France. But the ironic twist was in the story, though. Episode’s title is good, but another way to title it would be “Too Honest To Be A Criminal” or “The Art Of Retaliation.” In our Host’s Prologue, E.G. Marshall starts right off with mentioning Guy De Maupassant’s name. In ACT-1, story begins with 2 characters: Peter and Harry at San Francisco’s Embarcadero Pier 24. After listening to his back story of a missing possession, it’s a battle between guiltiness and innocence. Inner Voice VS. Outer Truth. In ACT-2, our Host quotes a line from Iago in William Shakespeare’s OTHELLO about robbing someone of their good name. Later, evidence against our main character was overwhelming and disobedience in court could send him behind bars. In ACT-3, pointing out that Anger & Bitterness make an ugly brew. More than that, a quote from Shylock from THE MERCHANT OF VENICE about villainy. In the end, the irony is that our main character died before he got to live. In his Epilogue, E.G. Marshall concludes on how revenge was indeed sweet just for Harry the fisherman. These narrations he gave us were informative and compelling to the story. Sound effects of buoys, boat horns, water waves, howling wind, background noise at the Health Club, footsteps, passkeys, lockers, doors, bell tolls, dialing of rotary phone, murmurs in the court room, gavel bang, store bell ring, and newspaper pages were significant and critical to this story. A variety of dramatic music tracks were played as they helped during the storyline. And finally, our cast: Mandel Kramer (as Peter), Lloyd Battista (as Bill Roberts and Oscar), Robert Dryden (as Harry and Leo Mantell), and William Griffis (as Charlie Clairborne and Milton’s Nephew). SPECIAL NOTE: Himan Brown played the role of Milton: The Pawn Broker. The actors were tremendous on their parts, particularly William Griffis for playing a villain that everyone would love to hate and Mandel Kramer who is terrific for playing characters that act clever and anxious throughout the episodes. I do recommend this episode for everyone to check out. And check out the original story by Guy de Maupassant. SPECIAL BONUS: The episode features a commercial of Golden State Warrior Rick Barry talking about Cancer Chemotherapy. Until next time…pleasant dreams.


I rate this episode ★★★★☆ for GOOD. “Amusing” would be the word to describe Sam Dann’s mystery story featuring Samuel Clemens a.k.a. Mark Twain. This is the kind of story that would be suitable for a TWILIGHT ZONE episode with funny elements of the writer’s block process. As much as I wanted to rate this 5 stars for EXCELLENT, the story was kind of far-fetched. A writer being obsessed with his character ’s life is one thing. But seeing his character come to reality and being obsessed with his creator on how he wants to live, is another. Also, the title doesn’t make sense since the characters in this story actually wrote it with just a typewriter, instead of handwritten on paper. The title should be called “Be Good To Everyone You Write.” In our Host’s Prologue, E.G. Marshall begins with a philosophical point that life is a journey. In ACT-1, understand what writers talk about. Once our main character meets the fictional character that refuses to die, our Host quotes a line from HAMLET (Act 1, Scene 5) that matches this dilemma. In ACT-2, quoting Joyce Kilmer. As the story progresses with a different approach, further developments will come shortly. In ACT-3, the difference between an architect and a writer when they create their art on paper. After the finale, our Host talks about Limbo and how many are in it. In his Epilogue, E.G. Marshall questions if the writer’s characters rise up to overwhelm them. But also, understand that some writers have difficulties when controlling their fancies. The narrations that he gave us were philosophical and unforgettable. The sound effects of the sheet of paper, typewriter, phone ringing, chair leg scraping, background music at the saloon, doors, crickets, footsteps, Ragtime music, dancers murmuring, short applause, gun shots, body thud, and character crowd murmuring were all splendid. The dramatic music was a nice touch. Not suspenseful, nor frightening. But a variety of good tunes that fit the characters’ emotions. Now onto our cast: Norman Rose (as Samuel Clemens a.k.a. Mark Twain), Robert Dryden (as Dudley Everett and Harry Barnes), Evie Juster (as Martha Loomis and Martha’s Mother), and Kristoffer Tabori (as Tom Ditson and The Prosecutor). SPECIAL NOTE: Himan Brown plays the role of Martha’s Uncle. Our cast was great, particularly Norman Rose and Robert Dryden. My favorite part of Norman Rose’s performance was in the 3rd Act when he amplifies the word, “Reprieve” with a different tone. It was eccentric, yet funny. This episode is enjoyable and worth listening to. Until next time…pleasant dreams.


I rate this episode ★★★☆☆ for AVERAGE. I’ll review what I enjoyed the most first and then finish off what I disliked. First, I enjoyed the cast: Kevin McCarthy (as William Gillette/Sherlock Holmes), Jada Rowland (as Pamela Watson), Russell Horton (as Jim Watson), and Carol Teitel (as the Tour Guide and Mrs. Hudson). Carol Teitel was terrific in her 2 roles. Jada Rowland is my favorite actress in the CBSRMT series and having her partner up with Russell Horton again, like many episodes before, was delightful. And Kevin McCarthy was entertaining, just like his performance as Sherlock Holmes in previous episodes before this one. Next up, music and sound effects. Dozens of dramatic tunes were used, but no suspenseful or chilling tracks were used to match the feel of being trapped in a castle. Sound effects of car engine running, tires screech, footsteps, tourists murmuring, sliding doors, cat meowing, howling wind, gong, lamp breaking, doors, cane hitting clothing, gun shot, tapping of the phone, drawing the curtains, carriage rolling up, pouring of drinking glasses, and doorbell were very supportive in this tale. Next is our Host and his narrations. E.G. Marshall’s Prologue focused on castles and our story takes place at a castle in New England. In ACT-1, meet Jim & Pamela Watson where one of them is a Sherlock Holmes buff. In ACT-2, knowing so little about William Gillette’s career and we get a sense that some actors like him can go too far to create an illusion of reality. In ACT-3, after the strange turn of events, our Host’s only explanation to the Climax is to mention a quote from a playwright about the 6th sense of the Imagination. In his Epilogue, he recommends CBSRMT listeners to take a tour of the Gillette Castle itself in Connecticut. Good recommendation, but no Resolution explained on what happened to our characters afterwards. And so, it comes down to the final segment: the Script. Elizabeth Pennell has written decent drama mysteries and even did the adaptations of #0605-JANE EYRE and #0643-WUTHERING HEIGHTS. But this story was Fair. So-so, I should say. I was expecting it to be a haunting mystery about a haunted castle with the Sherlock Holmes references. But instead, this story’s turn of events created massive questions to think about. Like, how did the Jim & Pamela Watson hear about this castle? Was Mrs. Hudson going through nightmare problems? Was William Gillette really dead? Was he putting on a show for his guest just so he can play Sherlock Holmes for fun? Did these 2 tourists actually travel back in time? Was the castle actually haunted? Was it really a nightmare? Was anything resolved after Jim & Pamela Watson escaped from the castle? There are so many fill-in-the-blanks in this, the episode’s title should be changed and call it “A Bad Case Of The Jitters” or “Elementary, My Dear Guests.” Tune in to this, if you like. There are better castle stories in the CBSRMT vault. SPECIAL BONUS: This episode has commercials of AMEX travelers checks, Bob Armstrong’s Diamond Center, “The Ritual” novel, CBS-News, First Federal of Gary, Radio Advertising Bureau, Jewel’s Discount Grocery Store, CBS-Sports News in Chicago, CBS-News on Election 1980, Susan Anton for Serta Sleeper Mattresses, and Smokey Bear Program. Until next time…pleasant dreams.


I rate this episode ★★★★★ for EXCELLENT. I'd think that Robert Barr would have been pleased of the adaptation of this by James Agate, Jr. It has intricate clues, it has peculiar motives, and it has a surprising twist in the end. And above all, it has a great detective in this: Eugène Valmont. Robert Barr’s character ranks up with Jacques Futrelle’s Professor Augustus S.F.X. Van Dusen and Sir Arthur Conan Doyle’s Sherlock Holmes. Another way to title this story would be “A Case Of Interest” or even “The Parisian Detective.” In our Host’s Prologue, E.G. Marshall starts it off by comparing one of the characters as a “Scrooge.” In ACT-1, the bloodline of the James Dudley Hills on their fortunes. As the plot thickens, we realize that not all clues were divulged in the first Act alone. In ACT-2, questions pop up. More importantly, they see the evidence clearly, but not recognize it. In ACT-3, quoting Sir Francis Bacon about suspicions and our main detective plays a waiting game. In the end, after discovering where the loot was hiding all along and discovering who else was related to the family, we learned a private post-mortem joke that money would bring out the worst in those with the least character. In his Epilogue, E.G. Marshall finishes it off with the comparison of the Midas myth - great wealth does not equal great happiness. Outstanding narrations. Sound effects of bells, footsteps, background noise at the police station, phone receiving line, seals, patrons murmuring, paper note, newspapers, doors, dog wincing, phone ringing, paper bills, intercom buzzer, emergency sirens, pulling off wallpaper were terrific. As for the music, great selection of dramatic tunes that moved the story forward. And let us not forget our amazing cast: Norman Rose (as Eugène Valmont), Russell Horton (as James Dudley Hill III and Inspector Graves), and Robert Dryden (as James Dudley Hill, Jr. and Elijah Browning). These 3 worked well together. Norman Rose, performing with a French accent, was very entertaining. This is one mystery story that CBSRMT fans should not pass up on. Until next time…pleasant dreams.


I rate this episode ★★★★☆ for GOOD. I admire Murray Burnett’s work, particularly his adaptions of the Sherlock Holmes stories. But the story originally from Edith Wharton was better. The novelist’s ghost story had a Narrator without a name. In Murray Burnett’s version, we got a fashion designer that’s interested in the castle while the other male characters act persuasive and vulnerable. I was more interested in the mystery of the dogs and hope that they would play a bigger part to this tale. Other ways to title this would be “Dogs Of Kerfol” or “Strange Vendetta.” In our Host’s Prologue, that I had to find on other OTR websites, E.G. Marshall’s topic is about castles with ghosts. In ACT-1, meet our main character who’s interested in buying a castle. After digging into the story within the story, our Host points out the lifestyle differences of adultery from 2 different time periods. Our main character must’ve seen dogs or ghost dogs. After too many conflicts about pets getting killed in this story, E.G. Marshall mentions ASPCA (American Society for the Prevention of Cruelty to Animals). Was E.G. Marshall trying to advertise this non-profit organization into the episode? In ACT-3, he understands the reaction that our main character felt when reading the history book. When the story was over, E.G. Marshall stated that when he talked about this story to a psychiatrist and what was his take on this? Was E.G. Marshall talking about his personal life on this? Or was this something that Murray Burnett wrote for him? What’s even weirder, is the Epilogue. E.G. Marshall tells the world’s shortest horror story ever. It’s a classic, but it’s irrelevant to this particular story. E.G. Marshall wasn’t off topic with his narrations, but he could’ve saved the ASPCA mentioning, the psychiatrist moment, and the shortest horror story for other episodes. The music was OK, but the tunes for the chilling moments kept on repeating in every Act. Sound effects of birds chirping, bell ring, iron gate squeaking, footsteps, car tires screech, jewelry case, door knocking, howling wind, violin music, and unbolting the door were good. And of course, the sounds of dogs barking were helpful. And finally, our cast: Mercedes McCambridge (as Paula Randall and Anne de Cornault), William Redfield (as Herve de Lanrivain and Andre de Lanrivain), Ian Martin (as Baron Yves de Cornault), and Guy Sorel (as the Judge and the Gypsy). I like this choice of cast members. In fact, this was my favorite part of the episode. All of the actors were great. But it was Mercedes McCambridge, our leading lady, who was superb. Her performance in this reminds me of her performance in Ep. #0318-CARMILLA where she played 2 roles: The Narrator and the Woman who dealt with death. Fans of her would enjoy this episode. Check this one out, but also check out Edith Wharton’s original ghost story. Until next time…pleasant dreams.


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